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Reconsidering the Multicultural Movement toward the West Coast in Ishmael Reed’s Mumbo Jumbo

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Believing that American multiculturalism should go beyond the geographical limits, Ishmael Reed in Mumbo Jumbo (1972) argues that the on-going American multicultural movement should be reconsidered not in a particular site like New York but in American society as whole. His ways of describing the self-inclusive and self-evolving movement of “Jew Grew” toward the West Coast and the undetermined meanings of “The Book of Thoth” are his symbolic attempts to describe American multiculturalism as the complexity and hybridity of different cultures, and the multiculturalism is not fettered by geographical convention. While considering the West Coast as an ideal place to produce American multiculturalism, Reed metaphorically uses the site in a way to extend the notion of American multiculturalism at the much more nationwide level. In doing so, Reed recreates his own notion of multiculturalism that can be separated from the heritage of the New York-centered multicultural movement in the 1920s.

Abstract

Believing that American multiculturalism should go beyond the geographical limits, Ishmael Reed in Mumbo Jumbo (1972) argues that the on-going American multicultural movement should be reconsidered not in a particular site like New York but in American society as whole. His ways of describing the self-inclusive and self-evolving movement of “Jew Grew” toward the West Coast and the undetermined meanings of “The Book of Thoth” are his symbolic attempts to describe American multiculturalism as the complexity and hybridity of different cultures, and the multiculturalism is not fettered by geographical convention. While considering the West Coast as an ideal place to produce American multiculturalism, Reed metaphorically uses the site in a way to extend the notion of American multiculturalism at the much more nationwide level. In doing so, Reed recreates his own notion of multiculturalism that can be separated from the heritage of the New York-centered multicultural movement in the 1920s.

참고문헌 (22)

  1. Abbott, Ruth, "An Interview with Ishmael Reed", pp.74~95, Dick and Singh
  2. Baraka, Amiri, "Within the Circle", pp.165~171 (1994), Duke UP
  3. Byerman, Keith, "Remembering History in Contemporary Black Literature and Criticism", American Literary History, 3(4), pp.809~816 (1991)
  4. Dick, Bruce, "Conversations with Ishmael Reed" (1995), UP of Mississippi
  5. Ewing, Jon, "The Great Tenure Battle of 1977", pp.111~127 (1977), Dick and Singh
  6. Gaga, "Interview with Ishmael Reed", pp.51~58, Dick and Singh
  7. Gates, Henry Louis, "Signifying Monkey: A Theory of African-American Literary Criticism" (1988), Oxford UP
  8. Henry, Joseph, "A MELUS Interview: Ishmael Reed", MELUS, 11(1), pp.81~93 (1984)
  9. Jessee, Sharon, "Ishmael Reed’s Multi-Culture: The Production of Cultural Perspective", MELUS, 13(3-4), pp.5~14 (1986)
  10. Kerchis, Cheryl Zarlenga, "Multiculturalism from the Margins", pp.1~27 (1995), Bergin & Garvey
  11. Martin, Reginald, "An Interview with Ishmael Reed", Center for Book Culture. N.p., 24 Feb. 2005. Web. 13 Oct. 2014, ~ (2014)
  12. Martin, Reginald, "Ishmael Reed and the New Black Aesthetic Critics" (1988), St. Martin’s
  13. Martin, Reginald, "Contemporary Literary Criticism. Vol. 174", pp.183~189 (2003), Gale
  14. O’Brien, John, "Conversations with Ishmael Reed", pp.14~40 (1972), Dick and Singh
  15. Reed, Ishmael, "The Graywolf Annual Five: Multicultural Literacy", pp.155~160 (1988), Graywolf
  16. Reed, Ishmael, "Crushing the Munity", MELUS, 3(2), pp.10~12 (1976)
  17. Reed, Ishmael, "Mumbo Jumbo" (1972), Scribner
  18. Reed, Ishmael, "The Norton Anthology of African American Literature" (1997), Norton
  19. Reed, Ishmael, "Shrovetide in Old New Orleans" (1989), Atheneum
  20. Said, Edward, "Culture and Imperialism" (1993), Vintage
  21. Thomas, Lorenzo, "The Shadow World: New York’s Umbra Workshop & Origins of the Black Arts Movement", Callaloo, 4, pp.53~72 (1978)
  22. Will, Susan, "History and Memory in African-American Culture", pp.178~187 (1994), Oxford UP

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