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Skanda, The Multifaceted God: Skanda in Korean Buddhism and Beyond

Sujung Kim
불교학연구회 (Korean Association of Buddhist Studies)|2021.03|불교학연구 (Korea Journal of Buddhist Studies)|제66권 |pp. 51-96|DOI 10.21482/jbs.66..202103.51

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참고문헌

키워드

East Asian BuddhismSkanda동아시아 불교Chosŏn BuddhismSinjung t’aenghwadevaTongjin PosalBuddhist mythology위태천신중탱화천부조선 불교동진보살불교 신화
주제분류불교학

초록

This article focuses on the worship of Skanda in Korean Buddhism, particularly Skanda depicted in Sinjung t’aenghwa (the Paintings of the Guardian Deities). In order to contextualize this complex pan-Asian god, the article tackles two different and yet related issues: while it chronologically presents Skanda’s transformation in Korean Buddhsm, the discussion also weaves Skanda with other Asian traditions to explain the functional aspects of Skanda worship that are cross-culturally found across time. The article demonstrates that even though a sinified version of Skanda worship dominated in Korean Buddhism, Korean interpretations of Skanda made significant connections with the Indian leitmotif of Skanda while adding new local interpretations of the deity. It further shows that the dominant presence of Skanda also indicates the centrality of the celestial deities (Skt. deva) in the Korean Buddhist pantheon and beyond.

Abstract

This article focuses on the worship of Skanda in Korean Buddhism, particularly Skanda depicted in Sinjung t’aenghwa (the Paintings of the Guardian Deities). In order to contextualize this complex pan-Asian god, the article tackles two different and yet related issues: while it chronologically presents Skanda’s transformation in Korean Buddhsm, the discussion also weaves Skanda with other Asian traditions to explain the functional aspects of Skanda worship that are cross-culturally found across time. The article demonstrates that even though a sinified version of Skanda worship dominated in Korean Buddhism, Korean interpretations of Skanda made significant connections with the Indian leitmotif of Skanda while adding new local interpretations of the deity. It further shows that the dominant presence of Skanda also indicates the centrality of the celestial deities (Skt. deva) in the Korean Buddhist pantheon and beyond.

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