노향림 시에 나타난 섬과 바다의 공간의식

Abstract

Space Consciousness of Island and Sea in Noh Hyang- rim's poems Noh Hyang rim holds up the coherent versifying methods since his poem 「The fire」was elected by 'A New Man Prize' in Wolguan Literary in 1970. The poems of Noh formed by scenery drawn by sensible words make internalized self-emotion under the poems come the scenery and present an emblem of the soul. Especially, Noh was born and grew up near the sea, so the meaning of the sea and the islet is peculiar for him. It's the basement of his emotion and the origin in the world of his poems depicting the scenery of the inside. The sea in Mokpo and Aphae Island are important space lightening his poetic outlook on the world. Noh's poetic world is quiet and desolate. The reason comes from not only poetic scenery but his inner feeling. The inner solitude have something to do with the point of view toward the sea in Mokpo that left disease, poverty and loneliness. The vague view left memory and contrition but, because of that, we could dream the returning the world full of longing caused the despair of nonexistence in the floating time. Ensuring space of tragic self-recognition means gaining a source of power to dream. The space of solitary recognizing the death is tragic space of self-cognizance and it's just Aphae Island, which is A Hoopoo doesn't come. His view toward the space Aphae Island created by solitude and loneliness is transparent and clear. Aphae Island is refreshing islet for him. Even though someone just showed it, this hiding thing moves his heart. Endless dreaming for Aphae Island which is full of loneliness and desolation and is waiting for not coming bird is dreaming toward affection beyond solitude and hopelessness and lonely inner scenery swelling in childhood sea.