탈춤의 불확정적 형식과 상호수행성의 관계
A Research on the Indeterminate Form and Inter-Performativity of Talchum
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In the research, the relationship between indeterminate form and inter-performativity of Talchum has been investigated. It is possible to add to, delete, and change the text of Talchum according to its situation. Furthermore, time and space in Talchum can be changed according to the surroundings and conditions of a performance. The formative indeterminacy of Talchum would drive its audience to participate in some situations of the performance. Teum enables the performance to be reciprocal while making the opportunities of relax and chance, digression and participation, variation and creationbetween the actors and the audience. Therefore, Talchum has to include the activities of audience’ responses, and its meaning has to be moulded at the scene. Some characteristics of Talchum as a performance art lie in the transferred experience of its audience through the variableness of formative indeterminacy and improvising events, and the transfer into actor.
Abstract
In the research, the relationship between indeterminate form and inter-performativity of Talchum has been investigated. It is possible to add to, delete, and change the text of Talchum according to its situation. Furthermore, time and space in Talchum can be changed according to the surroundings and conditions of a performance. The formative indeterminacy of Talchum would drive its audience to participate in some situations of the performance. Teum enables the performance to be reciprocal while making the opportunities of relax and chance, digression and participation, variation and creationbetween the actors and the audience. Therefore, Talchum has to include the activities of audience’ responses, and its meaning has to be moulded at the scene. Some characteristics of Talchum as a performance art lie in the transferred experience of its audience through the variableness of formative indeterminacy and improvising events, and the transfer into actor.
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