본문 바로가기
KERD
논문KCI 등재

중국 민국시기(1912-1949) 사교춤에 나타난 여성해방 연구

A Study on the Women’s Liberation Based on Social Dance during the Period of the Republic of China (1912-1949)

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류무용

초록

The focus of this study is on social dance, which was introduced and developed in the Shanghai areaduring a 30-year period in the Republic of China. Through an analysis of social dance, this studyexamines the characteristics of the women’s liberation movement during this period. The study utilizesChen Tuhsiu’s theorstical analysis of Women’s Liberation, which includes the emancipation of the bodyand mind, social dance-related education and employment, and the improvement of social involvement. The results show that social dancing during the Republic of China reflects the process of women’sliberation and the changes in women’s social status at that time.

Abstract

The focus of this study is on social dance, which was introduced and developed in the Shanghai areaduring a 30-year period in the Republic of China. Through an analysis of social dance, this studyexamines the characteristics of the women’s liberation movement during this period. The study utilizesChen Tuhsiu’s theorstical analysis of Women’s Liberation, which includes the emancipation of the bodyand mind, social dance-related education and employment, and the improvement of social involvement. The results show that social dancing during the Republic of China reflects the process of women’sliberation and the changes in women’s social status at that time.

참고문헌 (37)

  1. 이상화, "북한의 여성관: 1. 사회주의 이념과 남녀평등" (1992), 이화여자대학교 한국여성연구소
  2. 陈独秀, "陈独秀文集" (2013), 人民出版社
  3. 嘉谟, "舞女及舞厅 1" (1946), 上海版
  4. 马克思, "马克思恩格斯选集(第4卷)" (1995), 人民出版社
  5. 申报, "凯尔氏舞蹈传习所欢迎跳舞同志" (1928), 上海版
  6. 王克芬, "中国近现代当代舞蹈发展史" (2004), 人民音乐出版社
  7. 微尘, "上海之跳舞场" (1928), 上海版
  8. 吴健熙, "上海生活 1937-1941:老上海期刊经典" (2006), 上海社会科学院出版社
  9. 新闻报, "中国人的跳舞" (1927), 新闻报
  10. 夏晓虹, "晚清女性与近代中国" (2004), 北京大学出版社
  11. 김정구, "1930년대 상하이 영화의 근대성 연구: 여성의 재현 양상을 중심으로", pp.2004
  12. 김주희, "중국 영화에서 춤 활용하기 장이머우 감독의 영화를 중심으로", 무용예술학연구, 64(2), pp.25~37 (2017), 한국무용예술학회[DOI]
  13. 위산산, "중국 경극(京劇)의 ‘단(旦)’ 역할에 나타난 여성상 연구", 석사, pp.2019
  14. 유미희, "북한의 무용예술과 여성해방 : 최승희 무용을 중심으로", 한국무용교육학회, 9(1), pp.153~171 (1998)
  15. 정옥희, "궁정사회 사교춤에 나타나는 문명화 과정에 대한 연구", 무용예술학연구, 14(14), pp.211~248 (2004), 한국무용예술학회
  16. 허현숙, "예이츠 시 작품에서의 춤과 여성", 무용예술학연구, 57(6), pp.123~138 (2015), 한국무용예술학회[DOI]
  17. 황선미, "번역가로서의 천두슈(陳獨秀)와 여성해방", 동아시아문화연구, (48), pp.271~298 (2010), 동아시아문화연구소[DOI]
  18. 董学文, "五四运动的历史意义和时代价值", 红旗文稿, 8, pp.4~8 (2019)
  19. 贾钢涛, "陈独秀妇女解放思想论析", 中华女子学院学报, 5, pp.10~15 (2021)
  20. 刘阳, "陈独秀妇女解放思想论要", 鄂州大学学报, 11(2), pp.20~23 (2004)
  21. 孙琴安, "百乐门往事-民国时期的上海舞厅漫谈", 社会观察, 4(6), pp.66~68 (2010)
  22. 唐圣菊, "论民国时期的禁舞与反禁舞", 求索, 11(1), pp.180~184 (2014)
  23. 唐小兵, "象牙塔与百乐门——民国上海大学生"禁舞"事件考述", 开放时代, 3(2), pp.64~76 (2007)
  24. 仝妍, "民国时期(1912-1949)舞蹈发展的历史意义", 北京舞蹈学院学报, 12(4), pp.56~62 (2010)
  25. 王瑞, "论角色意识在中国当代女性艺术中的价值", 艺海, 11, pp.39~41 (2019)
  26. 熊梦会, "五四新文化运动时期"交际舞"对女性的影响", 北极光, 1, pp.92~93 (2019)
  27. 熊梦会, "民国舞女职业存在性审视", 硕士, pp.2021
  28. 徐意坤, "交谊舞在民国时期社交活动中的兴衰探究", 兰台世界, 12, pp.75~76 (2013)
  29. 尹美英, "淸末民初女性解放運動硏究", 博士, pp.1997
  30. 袁霄, "民国时期《申报》中舞蹈资料的分析研究", 硕士, pp.2019
  31. 于洋洋, "“新女性”与民国时期舞蹈发展研究", 艺术品鉴, 15, pp.67~69 (2017)
  32. "신해혁명" (2022), 바이두 백과[URL]
  33. "중화민국" (2022), 바이두 백과[URL]
  34. "오사운동" (2022), 바이두 백과[URL]
  35. "천두슈" (2023), 위키백과[URL]
  36. "摩登女郎执扇看山水,这就是老上海的艺术生活" (2017)[URL]
  37. "清朝女性到底有多美" (2019)[URL]

관련 논문AI추천

이 간행물의 다른 논문 (7건)