중국 현대무용 발전과정과 주요인물에 관한 연구
Chinese Modern Dance a Process of Development and a Major Figure
1
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
The cultural and artistic exchanges between Korea and China have increased. In consideration of this phenomenon, this research intends to offer basicinformation concerning Chinese art by introducing the development of Chinesemodern dance and key figures in the industry. Rong Lin Yu, Xiao Bang Wu , and Ai Lian Dai stand as key figures of earlyChinese modern dance. These individuals returned to China and introducedmodern dance after studying dance from historical legends such as IsadoraDuncan, Marie Baden, and Rudolf Laban. However, political circumstances hindered the development of modern dancewhen China was established as the socialist People’s Republic of China in 1949. Nevertheless, 1978 welcomed a full-fledged reform, and modern dance began toflourish once again since Hong Kong returned to China. Mei Qi Yang, Mei Wang,Willy Tsao, Jin Xing , and Wei Shen prevailed as key figures during this period. The results of this research reveal that the development of modern dance inChina closely related on the political situation and environment.
Abstract
The cultural and artistic exchanges between Korea and China have increased. In consideration of this phenomenon, this research intends to offer basicinformation concerning Chinese art by introducing the development of Chinesemodern dance and key figures in the industry. Rong Lin Yu, Xiao Bang Wu , and Ai Lian Dai stand as key figures of earlyChinese modern dance. These individuals returned to China and introducedmodern dance after studying dance from historical legends such as IsadoraDuncan, Marie Baden, and Rudolf Laban. However, political circumstances hindered the development of modern dancewhen China was established as the socialist People’s Republic of China in 1949. Nevertheless, 1978 welcomed a full-fledged reform, and modern dance began toflourish once again since Hong Kong returned to China. Mei Qi Yang, Mei Wang,Willy Tsao, Jin Xing , and Wei Shen prevailed as key figures during this period. The results of this research reveal that the development of modern dance inChina closely related on the political situation and environment.
참고문헌 (29)
- 고승길, "아시아 춤의 근대화와 한국의 근대 춤" (2005), 민속원
- 김말복, "무용예술의 이해" (2003), 이화여자대학교 출판부
- 曹誠淵, "舞者不曜: 曹誠淵舞蹈書寫" (2012), mccmcreatuons
- 曹誠淵, "舞者不憂: 曹誠淵與香港舞蹈前行" (2012), mccmcreatuons
- 金星, "挑戰上帝的錯" (2004), 晶冠出版有限公司
- 王克芬, "中國近現代當代舞蹈發展史" (2004), 人民音樂出版社
- 王克芬, "中國舞蹈發展史" (2004), 上海人民出版社
- 수잔 오, "발레와 현대무용" (2004), 시공 아트
- 김주희, "한국 현대무용 토착화과정에서 박외선의 역할", 무용예술학연구, 41(2), pp.31~50 (2013), 한국무용예술학회
- 백로, "중국 현대무용의 선구자 유영령(1882-1973)의 삶과 예술에 관한 연구", 석사, 무용학과 현대무용전공, pp.2013
- 왕극분, "중국 신무용예술의 개척자 오효방(吳曉邦), 대애련(戴愛蓮)", 한국무용연구, 19, pp.97~108 (2001)
- 暉蠔, "沈偉: 受張藝謀之邀加盟開幕式創作", 新聞天地: 上半月刊, (11), pp.15~ (2008)
- 李傑明, "中國芭蕾百年祭", 東方藝術, (3), pp.11~15 (1996)
- 歐建平, "中國現代舞蹈60年", 民族藝術, (1) (1998)
- 謝雲輝, "旅美舞蹈家沈偉 編舞獲得 "天才奬"", 老年人, (2), pp.34~35 (2008)
- 葉祖孚, "西太后御前女官裕容齡五", 縱橫, (5), pp.47~48 (1999)
- 益蟲, "與王玫一起喝咖啡", 舞蹈, (8), pp.14~17 (2008)
- 周毅, "國際舞蹈大師戴愛蓮", 重慶陶硏文史, (3, 7), pp.26~ (2002)
- 張悅, "曹誠渊: 從香港舞到北京", 中國藝術報, pp.29~ (2007)
- "광동현대무용단 홈페이지" (2013)[URL]
- "북경뇌동천하현대무용단 홈페이지" (2013)[URL]
- "북경무용학교 홈페이지" (2013)[URL]
- "북경현대무용단 홈페이지"[URL]
- "상해시어터아카데미 홈페이지" (2013)[URL]
- "상해진싱무용단 홈페이지" (2013)[URL]
- "샤먼시티현대무용단 홈페이지" (2013)[URL]
- "아시아 문화 기금회 홈페이지" (2013)[URL]
- "홍콩시티당대무용단" (2013)[URL]
- "홍콩연예학원무용학원 홈페이지" (2013)[URL]
