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보석 내포물 형태의 이미지를 활용한 장신구 디자인

Personal ornaments using the forms of jewelry inclusions

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주제분류디자인

초록

Jewelry is a product that comes from nature. Its high pressure and temperature conditions, and hundreds or thousands years of nature's phenomenon and the last trimmed by a human's hand give birth to 'jewel'. Jewel can be roll as value of wealth, but it can be use by accessory too which highlight the charms of jewels. In addition, attributes of metals and gemstones are similar to each other which are in a long time they do not change. Depending on the type of jewelry, they can be the same in appearance, but the gem's inclusions cannot be the same. Inclusions that can discriminate based on the type of jewelry and jewelry with natural gems, synthetic stone, and imitation stone in diagnose are an important way to distinguish. An inclusion in a gem in long time was created naturally from nature. Therefore, the work comes to those who create and study may be sufficient to show that design elements. Among the gems of their inclusions, which represented a unique personality, a unique form of the aesthetic properties of the inclusions is shown. By using specialized scientific instruments such as microscopes to observe the inclusions, but inclusions of these microscopes can also touch by hand while watching them, more easily accessible forms and kinds to help them take advantage of the image in the form of inclusions, plastic shapes and colors relate to the ornaments and try the operation, he presented a theoretical compliant. Based on the inherent structure in nature, exploring the image and design jewelry by combining with the deployment of the body functions and increase its effectiveness with harmony in the form of shape were pulled into a freedom. Inclusions were classified as structural and morphologically, and then presented each with a unique mark of jewelry. Carefully observed in the enlarged format, by taking advantage of its shape, such as to emphasize certain parts of the transformation process was applied to the decorations. Came into the modern age, means of a variety of concepts have been produced accessories those containing your personality, your own contribution, and so on to participate. For the modern jewelry, the works to be displayed in the selection of materials and techniques have been broadened. The work material of inclusion gem tighten to the shape of the fluid, natural images and as the adequate representation of various colors are available in everyday life, A cross-stitch technique which everybody can be applied to was applied. In this paper, presented concept of inclusion jewelry, and it complies with the material alteration of the image, work practices through a diversity of techniques presented, discussed future possibilities and challenges.

Abstract

Jewelry is a product that comes from nature. Its high pressure and temperature conditions, and hundreds or thousands years of nature's phenomenon and the last trimmed by a human's hand give birth to 'jewel'. Jewel can be roll as value of wealth, but it can be use by accessory too which highlight the charms of jewels. In addition, attributes of metals and gemstones are similar to each other which are in a long time they do not change. Depending on the type of jewelry, they can be the same in appearance, but the gem's inclusions cannot be the same. Inclusions that can discriminate based on the type of jewelry and jewelry with natural gems, synthetic stone, and imitation stone in diagnose are an important way to distinguish. An inclusion in a gem in long time was created naturally from nature. Therefore, the work comes to those who create and study may be sufficient to show that design elements. Among the gems of their inclusions, which represented a unique personality, a unique form of the aesthetic properties of the inclusions is shown. By using specialized scientific instruments such as microscopes to observe the inclusions, but inclusions of these microscopes can also touch by hand while watching them, more easily accessible forms and kinds to help them take advantage of the image in the form of inclusions, plastic shapes and colors relate to the ornaments and try the operation, he presented a theoretical compliant. Based on the inherent structure in nature, exploring the image and design jewelry by combining with the deployment of the body functions and increase its effectiveness with harmony in the form of shape were pulled into a freedom. Inclusions were classified as structural and morphologically, and then presented each with a unique mark of jewelry. Carefully observed in the enlarged format, by taking advantage of its shape, such as to emphasize certain parts of the transformation process was applied to the decorations. Came into the modern age, means of a variety of concepts have been produced accessories those containing your personality, your own contribution, and so on to participate. For the modern jewelry, the works to be displayed in the selection of materials and techniques have been broadened. The work material of inclusion gem tighten to the shape of the fluid, natural images and as the adequate representation of various colors are available in everyday life, A cross-stitch technique which everybody can be applied to was applied. In this paper, presented concept of inclusion jewelry, and it complies with the material alteration of the image, work practices through a diversity of techniques presented, discussed future possibilities and challenges.

참고문헌 (16)

  1. 김명희, "산호의 이미지를 형상화한 장신구 연구", 석사, pp.2010
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  3. 배상덕, "보석의 침상 내포물 본질 및 미세구조에 관한 연구", 박사, pp.2005
  4. 커런덤 침상 내포물에 관한 연구, "배상덕", 동신대학교. 보석공학과, 520~714 (2004)
  5. "보석 감정사 배상덕 박사의 보석 내포물 분류" (2000), 배상덕[URL]
  6. 윤시내, "유색보석감별. 한국산업인력공단", pp.326~ (2005), 대성종합인쇄
  7. 이지현, "자연의 생태 이미지를 응용한 장신구 디자인 연구: 식물 이미지 변형의 중심으로", 석사, pp.2009
  8. 조기선, "세계의 보석", pp.87~111 (1994), 고려원 미디어
  9. Cally Hall, "Gemstones" (1994), Dorling Kindersley
  10. Eduard J. Gubelin, "寶石內包物", pp.12~169 (1994), 춘광
  11. GIA, "Colored Stones Essentials. Clarity, Cut, and Carat Weight", pp.5~ (2007), GIA Korea
  12. GIA, "Colored Stones. Gem and their physical properties", pp.14~29 (2007), GIA Korea
  13. GIA, "Gem Identification. Lab Manual" (2005), GIA
  14. "GIA Korea News Letter"[URL]
  15. Jules Roger Sauer, "Brazil Paradise of Gemstones", pp.105~ (1982)
  16. Richard T. Liddicoat, Jr, "Handbook of Gem Identification", pp.64~79 (1993), GIA

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