현대 패션 주얼리 디자인에 나타난 '경계 흐려짐' 현상 - 복식 및 신체와의 관계를 중심으로 -
A Study on the Blurring of Boundary Reflected in Contemporary Fashion Jewelry Design -Focused on the relationship between fashion jewelry and costume or fashion jewelry and body -
1
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
This study analyzed the expressive phenomenon of a blurred boundary in fashion jewelry focused on the relationship between fashion jewelry and costume or fashion jewelry and body. The method of this study was to analyze recent documentaries about jewelry theories in regards to 607 cases of fashion jewelry design in fashion books, fashion magazines, fashion internet sites from 2000 to 2014. The results were: First, phenomenon of blurred boundary between fashion jewelry and costume was expressed in a see-through wear form made of luxury material (gold and diamond) or paste material, a similar form (like fashion accessories made of crystal, bids, and gold chain), an integration of fashion accessories and jewelry, and an attached jewelry on fashion accessories. It reflected a rearrangement of conventional relationships, a blurred relation of function and meaning, dissolution of jewelry form stereotypes, jewelry styling, a harmony of function and decoration, and an alteration to the central role of a fashion image. Second, the phenomenon of a blurred boundary between fashion jewelry and body was expressed in a body organ wrapping, body surface adhesion and sculptural jewelry based on body pose. It reflected a separation from conventional space of jewelry expression, a realization of mystery and fantastic, an expression of new body surface and a blurred boundaries of fashion jewelry and body art. Aesthetic characteristics were analyzed into metaphor and integration by separation from the conventional relationship of fashion jewelry and costume or fashion jewelry and body.
Abstract
This study analyzed the expressive phenomenon of a blurred boundary in fashion jewelry focused on the relationship between fashion jewelry and costume or fashion jewelry and body. The method of this study was to analyze recent documentaries about jewelry theories in regards to 607 cases of fashion jewelry design in fashion books, fashion magazines, fashion internet sites from 2000 to 2014. The results were: First, phenomenon of blurred boundary between fashion jewelry and costume was expressed in a see-through wear form made of luxury material (gold and diamond) or paste material, a similar form (like fashion accessories made of crystal, bids, and gold chain), an integration of fashion accessories and jewelry, and an attached jewelry on fashion accessories. It reflected a rearrangement of conventional relationships, a blurred relation of function and meaning, dissolution of jewelry form stereotypes, jewelry styling, a harmony of function and decoration, and an alteration to the central role of a fashion image. Second, the phenomenon of a blurred boundary between fashion jewelry and body was expressed in a body organ wrapping, body surface adhesion and sculptural jewelry based on body pose. It reflected a separation from conventional space of jewelry expression, a realization of mystery and fantastic, an expression of new body surface and a blurred boundaries of fashion jewelry and body art. Aesthetic characteristics were analyzed into metaphor and integration by separation from the conventional relationship of fashion jewelry and costume or fashion jewelry and body.
참고문헌 (35)
- Astfalck, J., "New directions in Jewellery" (2005), Black Dog Pub
- Aumont, J., "Du visage au cinema" (2006), Maumsanchaek
- Baan, E. D., "Fashion & Accessories" (2007), ArtEZ Press
- Beikirch, H., "Blurring Boundaries : Extending the Limits of Graffiti" (2014), Publikat
- Benjamin, A. E., "Blurred zones-Investigations of the interstitial-" (2003), The Monacelli Press
- "Christian Dior" (2014)[URL]
- "Collezioni Accessori" (2011), Logos Publishing
- "Collezioni Accessori" (2012), Logos Publishing
- "Collezioni" (2006), Logos Publishing
- "Collezioni" (2012), Logos Publishing
- Davies, H., "Blurring the boundaries: Installation art 1969-1996" (1997), Museum of Contemporary Art San Diego
- "Elite English-Korean Dictionary" (1991), Si-sa English
- "Gap Collections" (2002), Gap Japan Co., Ltd
- "Gap Collections" (2005), Gap Japan Co., Ltd
- "Givenchy" (2014)[URL]
- "Intangible Jewellery made by jewellery designer, Kim, G. O" (2008)[URL]
- "Jean Paul Gaultier" (2014)[URL]
- "Jewellery"[URL]
- "Jewellery in eyelash...Eyelash Jewellery, eye-catching" (2014)[URL]
- Kim, B. J., "A study on the expressional aspects of Border-Dismantling in contemporary architecture in Korea", 석사, pp.2008
- 김수환, "‘경계’ 개념에 대한 문화기호학적 접근 - 구별의 원리에서 교환의 메커니즘으로", 기호학 연구, 23, pp.489~514 (2008), 한국기호학회
- "Luella" (2006)[URL]
- "Maison Martin Margiela" (2014)[URL]
- Park, S. J., "A study on modern accessories represented by the transparency and rhythm of bubble image", 석사, pp.2003
- Paul, C., "Digital art" (2007), Sigongart
- Philips, C., "Jewelry: From antiquity to the present" (1999), Sigongsa
- Price, C. P., "American fashion accessories" (2008), Assouline
- Quinn, B., "The fashion of architecture" (2003), Berg
- 서경희, "현대패션에 표현된 해체주의의 상호텍스터성에 관한 연구 -1999~2005 파리 컬렉션을 중심으로-", 한국의류산업학회지, 7(4), pp.361~370 (2005), 한국의류산업학회
- 서승미, "현대 패션에 나타난 Fluid Form의 특성 연구", 복식문화연구, 19(4), pp.805~819 (2011), 복식문화학회
- "The illustrated dictionary of fashion" (1995), Rasara
- Untracht, O., "Jewelry-concept and technology" (1982), Doubleday
- 양희영, "21세기 패션디자인에 나타난 탈정형적 공간 표현에 관한 연구", 복식, 58(8), pp.91~105 (2008), 한국복식학회
- 양희영, "21세기 복합적인 패션 공간에 나타난 탈경계 현상에 관한 연구 - 질 들뢰즈와 펠릭스 가타리의 이론을 중심으로 -", 복식문화연구, 17(4), pp.600~615 (2009), 복식문화학회
- Yang, H. Y., "Formative characteristics of the continuity expressed in modern fashion-Focusing on the theory of Herni Bergson and Jill Deleuze", 박사, pp.2006
