데릭 월콧의 「후레자식의 귀향」과 칼립소
Derek Walcott’s “The Spoiler’s Return” and Calypso
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This study discusses the common elements and differences between DerekWalcott’s “The Spoiler’s Return” and Calypso. In an interview with TedThomas, Walcott said that his satire “The Spoiler’s Return” is based on aCalypsoinian. However, he invokes Roman and British satirists’ emotion in thepoem. Needless to say, these interview and invocation of his own show thatthe root of his satirical emotion is in both Calypsonian and Roman soils. Hispoetic theme, first-person narrative, and rhyme are almost the same as those ofthe Trinidad Calypso. His voice echoes on the Caribbeans’ poverty and mocksthe Caribbean elites’ corruption, injustice, racism, and separatism as do that ofthe Calypso singers. His voice comes from the storytelling with which theCalypso singers have used to express their themes and rhythms. His lines arerhymed as those of Calypsoes. Yet his couplet, diction, rhetoric, style, andform are different from those of Calypsoes. While Calypso singers userepetitive phrases or sentences, and choruses to make their lines rhymed, hedoesn’t do that. He rhymes different lines. His diction is more rhetorical thanthat of Calypso. It is based on metaphor, simile, and irony. Finally, hisnarrator is a humble, ugly, unfavorable and isolated attacker while those ofCalypsoes are highly heroic.
Abstract
This study discusses the common elements and differences between DerekWalcott’s “The Spoiler’s Return” and Calypso. In an interview with TedThomas, Walcott said that his satire “The Spoiler’s Return” is based on aCalypsoinian. However, he invokes Roman and British satirists’ emotion in thepoem. Needless to say, these interview and invocation of his own show thatthe root of his satirical emotion is in both Calypsonian and Roman soils. Hispoetic theme, first-person narrative, and rhyme are almost the same as those ofthe Trinidad Calypso. His voice echoes on the Caribbeans’ poverty and mocksthe Caribbean elites’ corruption, injustice, racism, and separatism as do that ofthe Calypso singers. His voice comes from the storytelling with which theCalypso singers have used to express their themes and rhythms. His lines arerhymed as those of Calypsoes. Yet his couplet, diction, rhetoric, style, andform are different from those of Calypsoes. While Calypso singers userepetitive phrases or sentences, and choruses to make their lines rhymed, hedoesn’t do that. He rhymes different lines. His diction is more rhetorical thanthat of Calypso. It is based on metaphor, simile, and irony. Finally, hisnarrator is a humble, ugly, unfavorable and isolated attacker while those ofCalypsoes are highly heroic.
참고문헌 (18)
- 헬블링, 마크, "할렘 르네상스" (2007), 주한미국대사관
- Baker, Houston, "Modernism and The Harlem Renaissance" (1987), U of Chicago P
- Courlander, Harold, "A Treasury Of Afro-American Folklore" (1976), Crown
- Draitser, A Emil, "Techniques of Satire: The Case of Saltykovschedrin" (1994), Mouto de Gruyter
- Figueroa, John, "The Art of Derek Walcott", pp.193~214 (1991), Dufour Editions
- Gates, Henry Louis, "The Signifying Monkey: A theory of African-American literary criticism" (1988), Oxford UP
- Innes, C. L., "The Cambridge Introduction to Postcolonial Literatures in English" (2007), Cambridge UP
- Jack, Ian, "Augustan Satire: Intention and Idiom In English Poetry 1660-1750" (1978), Oxford UP
- Kermode, Frank, "The Oxford Anthology of English Literature, Vol 1", pp.1816~1969 (1973), Oxford UP
- Lefkowitz, Mary, "Critical Perspectives on Derek Walcott", pp.400~404 (1993), Three Continents
- Milne, Anthony, "Conversations with Derek Walcott", pp.70~78 (1996), UP of Mississippi
- Myers, Jack, "The Longman Dictionary Of Poetic Terms" (1989), Longman
- Norkes, David, "Raillery and Rage: A Study of Eighteenth Century Satire" (1987), Harvester
- Richards, David, "A Concise Companion to Colonial Literature", pp.9~28 (2010), Blackwell
- Terada, Rei, "Derek Walcott’s Poetry: American Mimicry" (1992), Northeastern UP
- Thomas, Ned, "Conversations with Derek Walcott", pp.64~69 (1996), Mississippi UP
- Walcott, Derek, "Collected Poems, 1948-1984" (1994), Noonday
- Walcott, Derek, "Omeros" (1990), Farrar, Straus & Giroux
