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죽음에서 죽음으로― 셰이머스 히니의 『인간 사슬』

From Death to Death― Seamus Heaney’s Human Chain

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Throughout Seamus Heaney’s collections, we can trace the poems on a death motif as many as those of the landscape in Northern Ireland community. That’s because whenever Heaney suggested the changes into new vision of poetry, he had signalled those changes through the poems on both historical and personal death. His final book, Human Chain, however, focuses on describing a death motif itself, and Heaney begins the book with the poem on the near death experience from his mild stroke in 2006. Correspondingly, this paper tries to explore Heaney’s ‘looking back’ and ‘looking forward’ on life and death based on Martin Heidegger’s “Being-toward-death” and Vladimir Jankelevitch’s philosophical consideration of death. And it tries to embrace the poet’s route toward universality as well. In Human Chain, Heaney depicts death as continuity and circularity, not as finality or termination. This makes it possible that Heaney completes not only a powerful chain of human but also a great chain of poetry.

Abstract

Throughout Seamus Heaney’s collections, we can trace the poems on a death motif as many as those of the landscape in Northern Ireland community. That’s because whenever Heaney suggested the changes into new vision of poetry, he had signalled those changes through the poems on both historical and personal death. His final book, Human Chain, however, focuses on describing a death motif itself, and Heaney begins the book with the poem on the near death experience from his mild stroke in 2006. Correspondingly, this paper tries to explore Heaney’s ‘looking back’ and ‘looking forward’ on life and death based on Martin Heidegger’s “Being-toward-death” and Vladimir Jankelevitch’s philosophical consideration of death. And it tries to embrace the poet’s route toward universality as well. In Human Chain, Heaney depicts death as continuity and circularity, not as finality or termination. This makes it possible that Heaney completes not only a powerful chain of human but also a great chain of poetry.

참고문헌 (26)

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  3. 베르길리우스, "아이네이스" (2007), 숲
  4. 장켈레비치, "죽음에 대하여" (2016), 돌베개
  5. 플라톤, "소크라테스의 변론, 크리톤, 파이돈, 향연" (2012), 숲
  6. Auge, Andrew J., "Surviving Death in Heaney’s Human Chain", O’Brien, 29~48
  7. Hart, Henry, "Seamus Heaney: Poet of Contrary Progressions" (1992), Syracuse UP
  8. Hart, Henry, "Seamus Heaney’s Gift", O’Brien, 219~238
  9. Heaney, Seamus, "Death of a Naturalist" (1991), Faber and Faber
  10. Heaney, Seamus, "Field Work" (2000), Farrar
  11. Heaney, Seamus, "Human Chain" (2010), Farra
  12. Heaney, Seamus, "Preoccupations: Selected Prose, 1968-1978" (1980), Faber and Faber
  13. Heaney, Seamus, "The Haw Lantern" (1987), Faber and Faber
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  15. Heiny, Stephen, "Virgil in Seamus Heaney’s Human Chain: Images and Symbolism Adequate to Our Predicament", Renaissance, 65(4), pp.305~318 (2013)
  16. Laird, Nick, "Nick. Rev. of Human Chain, by Seamus Heaney. Telegraph. Telegraph", ~ (2010)
  17. Logan, William, "Ply the Pen. Rev. of Human Chain, by Seamus Heaney", The New York Times, ~ (2010)
  18. O’Brien, Eugene, "Seamus Heaney: Creating Irelands of the Mind" (2002), The Liffey
  19. O’Brien, Eugene, "The Later Poetry of Seamus Heaney" (2016), U of Notre Dame P
  20. O’Driscoll, Dennis, "Stepping Stones: Interviews with Seamus Heaney" (2009), Faber and Faber
  21. O’Riodan, Adam, "Rev. of Human Chain by Seamus Heaney. Telegraph. Telegraph", ~ (2010)
  22. Parker, Michael, "'Back in the heartland': Seamus Heaney’s 'Route 110' Sequence in Human Chain", Irish Studies Review, 21(4), pp.374~386 (2013)
  23. Parker, Michael, "‘His Nibs’: Self-Reflexivity and the Significance of Translation in Seamus Heaney’s Human Chain", Irish Studies Review, 42(2), pp.327~350 (2012)
  24. Russell, Richard Rankin, "Seamus Heaney’s Regions" (2014), U of Notre Dame P
  25. Tyler, Meg, "“The Whole of Me A-Patter”: Image, Feeling, and Finding Form in Heaney’s Late Work", O’Brien, 129~148
  26. Yeats, W. B, "Selected Poems And Four Plays of William Butler Yeats" (1996), Scribner

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