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셰이머스 히니의 시의 에로티즘 연구 ―과잉에의 헌신

The Study of Seamus Heaney’s Erotism: Devotion to the Excess of Sexuality

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This study intends to demonstrate how Seamus Heaney devotes himself to excess and examines how his devotion leads to his poetics as a unique metaphor, focusing on his sexuality poems. Heaney’s sexuality poems put a meaningful perspective on humans and their lives. Heaney treats sexuality as a way of devoting himself to his excessive self-consciousness and details in his poems. The unexpected combination of ‘sexuality,’ ‘excess,’ ‘devotion’ gives Heaney’s poetry unusual energy. Heaney’s early works talk about juvenile sexuality with his overflowing sense of language, while later ones make use of it as a unique way in the process of building his poetics. In order to give a concentrative consideration to his sexuality poems, this study aims to investigate how Heaney’s eroticism is shown in his poetry, and then mention his ‘reticence’ poetics described in his The Government of the Tongue and The Redress of Poetry. In considering the process of according apparent controversial ‘excess’ with ‘reticence’ and pursuing his own poetics, this study aims to shed a new light on Heaney’s poetry and poetics as a whole.

Abstract

This study intends to demonstrate how Seamus Heaney devotes himself to excess and examines how his devotion leads to his poetics as a unique metaphor, focusing on his sexuality poems. Heaney’s sexuality poems put a meaningful perspective on humans and their lives. Heaney treats sexuality as a way of devoting himself to his excessive self-consciousness and details in his poems. The unexpected combination of ‘sexuality,’ ‘excess,’ ‘devotion’ gives Heaney’s poetry unusual energy. Heaney’s early works talk about juvenile sexuality with his overflowing sense of language, while later ones make use of it as a unique way in the process of building his poetics. In order to give a concentrative consideration to his sexuality poems, this study aims to investigate how Heaney’s eroticism is shown in his poetry, and then mention his ‘reticence’ poetics described in his The Government of the Tongue and The Redress of Poetry. In considering the process of according apparent controversial ‘excess’ with ‘reticence’ and pursuing his own poetics, this study aims to shed a new light on Heaney’s poetry and poetics as a whole.

참고문헌 (27)

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  4. 정옥희, "셰이머스 히니의 시에 나타난 양가적 입장", 현대영미시연구, 20(2), pp.241~261 (2014), 한국현대영미시학회
  5. Anderson, Nathalie F., "Critical Essays on Seamus Heaney", pp.139~150 (1995), G. K. Hall
  6. Brooks, Peter, "Reading for the Plot: design and intention in narrative" (1992), Harvard UP
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  10. Davis, Dick, "The Art of Seamus Heaney" (2001), Wolfhound Press
  11. Green, Carlanda, "Critical Essays on Seamus Heaney", pp.151~158 (1995), G. K. Hall
  12. Guerin, Wilfred L., "A handbook of critical approaches to literature" (1979), Harper & Row, Publishers, Inc
  13. Hart, Henry, "Seamus Heaney : Poet of contrary progressions" (1992), Syracuse UP
  14. Heaney, Seamus, "Death of a Naturalist" (1966), Faber & Faber
  15. Heaney, Seamus, "Door into the Dark" (1969), Faber & Faber
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  17. Heaney, Seamus, "Haw Lantern" (1987), Farrar, Straus and Giroux
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  19. Heaney, Seamus, "Station Island" (1985), Farrar, Straus and Giroux
  20. Heaney, Seamus, "See Things" (1991), Faber & Faber
  21. Heaney, Seamus, "The Government of the Tongue" (1988), Faber & Faber
  22. Heaney, Seamus, "The Redress of Poetry" (1995), Faber & Faber
  23. Heaney, Seamus, "Wintering Out" (1972), Faber & Faber
  24. Oliver, Mary, "Long Life : Essays and Other Writings" (2005), Da Capo Press
  25. Padilla, Juan Ráez, "Rooting the Omphalos at Mossbawn: Seamus Heaney and Classical Mythology", Interlitteraria, 13(0), pp.318~328 (2008)
  26. Russell, Richard Rankin, "Seamus Heaney : An introduction" (2016), Edinburgh UP
  27. Tobin, Daniel, "Passage to the center : Imagination and the Sacred in the Poetry of Seamus Heaney" (1999), U of Kentucky P

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