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미국 서부 신화 다시 쓰기 ―캐씨 박 홍의 「우리 짐의 발라드」에 관한 연구

Rewriting the Myth of the American Wild West: A Study of Cathy Park Hong’s “Ballad of Our Jim”

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This paper analyzes Cathy Park Hong’s “Ballad of Our Jim” which is the first part of her third book Engine Empire, and explores how she rewrites the myth of the American West or the westward expansion propelled in the name of Manifest Destiny. By analyzing the poems which follow the path of outlaw white brothers or fortune-seekers travelling to California during the Civil War and their kidnapped half-Comanche Jim, the study shows that the poet attempts to reveal the violence and racism inherent in the Western myth and suggest the potentiality of racial hybridity represented by Jim. The poems in “Ballad of Our Jim” not only present pillage and violence by the outlaw gangsters and Jim adapted as their tool, but also reveal discrimination which victimizes racial others such as native Americans and the Chinese. Jim’s Comanche mother is banished by her “Injun killing” husband for a white woman, and a “Chinaman gets knifed for being what he is.” The white brothers suggest to eradicate racial others to build “the clear world” in the west. By contrast, “Our Jim,” the only survivor of the gang, is presented as a potent symbol of racial hybridity holding the indigenous element that cannot be assimilated by the dominant colonial forces, even though his fate is uncertain “in the denuded earth.”

Abstract

This paper analyzes Cathy Park Hong’s “Ballad of Our Jim” which is the first part of her third book Engine Empire, and explores how she rewrites the myth of the American West or the westward expansion propelled in the name of Manifest Destiny. By analyzing the poems which follow the path of outlaw white brothers or fortune-seekers travelling to California during the Civil War and their kidnapped half-Comanche Jim, the study shows that the poet attempts to reveal the violence and racism inherent in the Western myth and suggest the potentiality of racial hybridity represented by Jim. The poems in “Ballad of Our Jim” not only present pillage and violence by the outlaw gangsters and Jim adapted as their tool, but also reveal discrimination which victimizes racial others such as native Americans and the Chinese. Jim’s Comanche mother is banished by her “Injun killing” husband for a white woman, and a “Chinaman gets knifed for being what he is.” The white brothers suggest to eradicate racial others to build “the clear world” in the west. By contrast, “Our Jim,” the only survivor of the gang, is presented as a potent symbol of racial hybridity holding the indigenous element that cannot be assimilated by the dominant colonial forces, even though his fate is uncertain “in the denuded earth.”

참고문헌 (16)

  1. 브라운, 디, "나를 운디드니에 묻어주오: 미국 인디언 멸망사" (2011), 한계레출판
  2. 윤희수, "유목민의 혁명: 캐씨 박 홍의 『댄스 댄스 혁명』의 들뢰즈적 읽기", 현대영미시연구, 24(2), pp.79~109 (2018), 한국현대영미시학회[DOI]
  3. Adams, Ramon F., "Western Words: A Dictionary of the Old West" (1998), Hippocrene Books
  4. Diamond, Jeremy, "Guns, Germs, and Steel: The Fates of Human Societies" (2017), W. W. Norton
  5. Robert David Grotjohn, "Speculative Poetics in Cathy Park Hong’s Engine Empire", 영어영문학21, 28(3), pp.365~383 (2015), 21세기영어영문학회[DOI]
  6. Hamby, Alonzo L., "Outline of US History" (2011), US Department of State
  7. "“An Interview with Cathy Park Hong.” Joshua Kryah. Poets & Writers" (2007)[URL]
  8. Hong, Cathy Park, "Dance Dance Revolution" (2007), W. W. Norton
  9. Hong, Cathy Park, "Engine Empire" (2012), W. W. Norton
  10. "Interview with Robyn Creswell" (2011)[URL]
  11. Hong, Cathy Park, "Minor Feelings: An Asian American Reckoning" (2020), One World
  12. Phillis, Jen Hedler, "Poems of the American Empire: The Lyric Form in the Long Twentieth Century" (2019), The U of Iowa P
  13. Thomas-Cambone, Heloise, "New Town is without image’: Representations of Enclaves in Cathy Park Hong’s Poetry", Climas, pp.34~48 (2016)
  14. "At Play in the Fields of Language: The Poetry of Cathy Park Hong (Part Two)" (2012)[URL]
  15. Zinn, Howard, "A People’s History of the United States: 1492-Present" (2003), HarperCollins

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