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William Carlos Williams’s Political Ideology andthe Social Role of Modernist Poetry in the Depression Era

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In the 1930s the United States was beginning to slide into the worst depression in its history. During the period, many U.S. citizens had lost faith in their business leaders and politicians. Some had begun to question the American economic system and even democracy itself. The Depression compelled artists and intellectuals to choose sides in political battles between Capitalists and Communists and clarify the politics in relation to their own work. Williams avoided making political commitments to the Communist Party, though he fully understood the ill-consequences of capitalist system. His Depression poetry and prose demonstrate drastic changes in his career as a poet including his increased recognition of class conflict and his professed devotion to a realistic portrayal of the low people marginalized in the American society. He renounced the bourgeois and highmodernist rhetoric that dominated so much of the literary scene of the day. His most poignant writing of the period turned to those people and things less discussed in American literatures. Poor old people, garbage, junk yards, immigrants, African-Americans, proletarian women - all of these become in Williams’s poetry metonymical expressions for “the low,” an actual America that had been underrepresented in previous poetries.

Abstract

In the 1930s the United States was beginning to slide into the worst depression in its history. During the period, many U.S. citizens had lost faith in their business leaders and politicians. Some had begun to question the American economic system and even democracy itself. The Depression compelled artists and intellectuals to choose sides in political battles between Capitalists and Communists and clarify the politics in relation to their own work. Williams avoided making political commitments to the Communist Party, though he fully understood the ill-consequences of capitalist system. His Depression poetry and prose demonstrate drastic changes in his career as a poet including his increased recognition of class conflict and his professed devotion to a realistic portrayal of the low people marginalized in the American society. He renounced the bourgeois and highmodernist rhetoric that dominated so much of the literary scene of the day. His most poignant writing of the period turned to those people and things less discussed in American literatures. Poor old people, garbage, junk yards, immigrants, African-Americans, proletarian women - all of these become in Williams’s poetry metonymical expressions for “the low,” an actual America that had been underrepresented in previous poetries.

참고문헌 (18)

  1. Boorstin,Daniel J, "A History of The United States" (1986), Ginn and Company
  2. Denning,Michael, "The Cultural Front: The Laboring of Ameica in the Twentieth Century" (1996), Verso
  3. Eccles, Marriner S, "Beckoning Frontiers: Public and Personal Recollections" (1951), Alfred A. Knopf
  4. Mariani, Paul, "William Carlos Williams: A New World Naked" (1981), McGraw Hill
  5. Marshall,David, "Celebrity and Power: Fame in Contemporary Culture" (1997), U of Minnesota P
  6. O'Brien, Kevin, "Saying Yes at Lightening: Threat and the Provisional Image in Post-Romantic Poetry" (2002), Peter Lang
  7. Sherry, Vincet, "The Great War and the Language of Modernism" (2003), Osford UP
  8. Williams, William Carlos, "The Collected Poems of William Carlos Williams. Vol. I: 1909-1939. Ed. A Walton Litz and Christopher MacGowan. New York: New Directions, 1986. [CPI로 표기함]", ~ (1986)
  9. Williams, William Carlos, "The Collected Poems of William Carlos Williams. Vol.II: 1939-1962. Ed. Christopher MacGowan. New York: New Directions, 1988. [CPII로 표기함]" (1988)
  10. Williams, William Carlos, "The Collected Stories of William Carlos Williams" (1996), New Directions
  11. Williams, William Carlos, "Hart Crane", Contempo, 2, pp.1~12 (1932)
  12. Williams, William Carlos, "The Embodiment of Knowledge" (1974), New Directions
  13. Williams, William Carlos, "Imaginations" (1970), New Directions
  14. Williams, William Carlos, "I Wanted to Write a Poem: The Autobiography of the Works of a Poet" (1978), New Directions
  15. Williams, William Carlos, "A Social Diagnosis for Surgery", New Democracy, 1, pp.25~27 (1936)
  16. Williams, William Carlos, "Patterson" (1992), New Directions
  17. Williams, William Carlos, "Selected Essays" (1969), New Directions
  18. Williams, William Carlos, "Something to Say: William Carlos Williams on Younger Poets" (1985), New Directions

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