Wallace Stevens’s Use of Prosody for the Integration of Sound and Sense
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Wallace Stevens integrates sound and sense to intensify interactive meanings of reality and imagination in his poetry by using various prosodies. He constantly aspires to the condition of musicality for the integration of sound and sense. This paper aims to analyze and illustrate interaction of sound and sense to achieve his supreme fiction in his major poems from Harmonium through The Rock. In his Harmonium, he uses more traditional prosody and the first person point of view to emphasize the sense of reality. Then, in his Ideas of Order, he uses more various prosody and the third person point of view to open meanings of imagination. Especially in his Transport to Summer, he uses the most diverse prosody including free verse and objective point of view to integrate sound and sense toward supreme fiction.
Abstract
Wallace Stevens integrates sound and sense to intensify interactive meanings of reality and imagination in his poetry by using various prosodies. He constantly aspires to the condition of musicality for the integration of sound and sense. This paper aims to analyze and illustrate interaction of sound and sense to achieve his supreme fiction in his major poems from Harmonium through The Rock. In his Harmonium, he uses more traditional prosody and the first person point of view to emphasize the sense of reality. Then, in his Ideas of Order, he uses more various prosody and the third person point of view to open meanings of imagination. Especially in his Transport to Summer, he uses the most diverse prosody including free verse and objective point of view to integrate sound and sense toward supreme fiction.
참고문헌 (14)
- Bloom, Harold, "Modern Critical Views: Wallace Stevens" (1985), Chelsea
- Bloom, Harold, "Wallace Stevens: The Poems of Our Climate" (1976), Cornell UP
- Cook, Eleanor, "Stevens and Structures of Sound: Introduction", The Wallace Stevens Journal, 15(1), pp.115~125 (1991)
- Goldfarb, Lisa, "Pure Rhetoric of a Language Without Words: Stevens’s Musical Creation of Belief in ‘Credences of Summer.’", Journal of Modern Literature, 27, pp.122~136 (2003)
- Hart, James, "The Oxford Companion to American Literature" (1995), Oxford UP
- Knowles, Sebastian, "Stevens and Structures of Sound: Foreword", The Wallace Stevens Journal, 15(1), pp.107~114 (1991)
- Nassar, Eugene Paul, "Wallace Stevens: An Anatomy of Figuration" (1965), U of Pennsylvania P
- Pearce, Roy Harvey, "The Art of the Mind: Essays on the Poetry of Wallace Stevens" (1965), Johns Hopkins UP
- Perrine, Laurence, "Sound and Sense: An Introduction to Poetry" (1987), HBJ
- Stevens, Wallace, "The Collected Poems of Wallace Stevens" (1954), Alfred A. Knopf
- Stevens, Wallace, "Letters of Wallace Stevens. Ed. Holly Stevens" (1996), U of California P
- Stevens, Wallace, "The Necessary Angel: Essays on Reality and the Imagination" (1951), Alfred A. Knopf
- Stevens, Wallace, "Opus Posthumous. Ed. Samuel French Morse" (1957), Alfred A. Knopf
- Stevens, Wallace, "The Idea of Order at Key West" (1956), Caedmon