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윌리엄 칼로스 윌리엄즈의 작품에 나타난 재생

Resurrection in William Carlos Williams’s Poems

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When we talk about resurrection, we naturally think of religious concepts,whether they are those of Christianity or those of Buddhism. But in WilliamCarlos Williams, we need not put religious concepts on the resurrectionexpressed in his poems. It is sure that Williams’s thought of resurrection isconcerned with material, not with spirit. In the poems we examined in this paper, his thought of resurrection ofmaterial is expressed repeatedly, but rebirth of spirit is not evident. All theexisting lives are visible representation of the invisible life-force and death isthe transformation of the visible into the invisible. Although life-force in natureexists always, sometimes it is visible and sometimes not. Only when it entersinto the material, for example, seeds, bushes etc, it becomes visible. Williams seems to think that the nature’s life-force doesn’t change and thenature keeps its life-force inside itself until water in spring spurs the life-forcein natural objects to keep alive. Even though individual objects seem to liveand die, their life-force remains the same whether it comes to be visible orinvisible. When it comes to be visible, we call it a resurrection in William Carlos Williams’s works.

Abstract

When we talk about resurrection, we naturally think of religious concepts,whether they are those of Christianity or those of Buddhism. But in WilliamCarlos Williams, we need not put religious concepts on the resurrectionexpressed in his poems. It is sure that Williams’s thought of resurrection isconcerned with material, not with spirit. In the poems we examined in this paper, his thought of resurrection ofmaterial is expressed repeatedly, but rebirth of spirit is not evident. All theexisting lives are visible representation of the invisible life-force and death isthe transformation of the visible into the invisible. Although life-force in natureexists always, sometimes it is visible and sometimes not. Only when it entersinto the material, for example, seeds, bushes etc, it becomes visible. Williams seems to think that the nature’s life-force doesn’t change and thenature keeps its life-force inside itself until water in spring spurs the life-forcein natural objects to keep alive. Even though individual objects seem to liveand die, their life-force remains the same whether it comes to be visible orinvisible. When it comes to be visible, we call it a resurrection in William Carlos Williams’s works.

참고문헌 (17)

  1. 구자광, "윌리엄 카를로스 윌리암스의 여성성에 대하여", 현대영미시연구, 10(2), pp.1~22 (2004), 한국현대영미시학회
  2. 양균원, "사물다움에 대한 추구: 스티븐스와 윌리엄스", 현대영미시연구, 11(1), pp.31~60 (2005), 한국현대영미시학회
  3. 최용미, "윌리엄스의 작품에 나타난 에머슨 시학 전통", 현대영미시연구, 13(2), pp.173~200 (2007), 한국현대영미시학회
  4. Burke, Kenneth, "William Carlos Williams: A Collection of Critical Essays", pp.46~60 (1966), Prentice-Hall
  5. Ellmann, Richard, "The Norton Anthology of Modern Poetry" (1973), W. W. Norton
  6. Guimond, James, "The Art of William Carlos Williams" (1968), U of Illinois P
  7. Jarrell, Randall, "William Carlos Williams: Selected Poems with an Introduction. The New Classics Series" (1949), Vail Ballow
  8. Koch, Vivienne, "William Carlos Williams" (1950), New Directions
  9. Macksey, Richard A., "William Carlos Williams: A Collection of Critical Essays", pp.131~149 (1966), Prentice-Hall
  10. Miller, J. Hillis, "William Carlos Williams: A Collection of Critical Essays", pp.1~14 (1966), Prentice-Hall
  11. Pearce, Roy Harvey, "William Carlos Williams: A Collection of Critical Essays", pp.96~114 (1966), Prentice-Hall
  12. Williams, Carlos William, "The Collected Earlier Poems of William Carlos Williams" (1951), The Haddon Craftsmen
  13. Williams, Carlos William, "The Collected Later Poems of William Carlos Williams. (New Directions Books)" (1950), The Haddon Craftsmen
  14. Williams, Carlos William, "The Collected Later Poems of William Carlos Williams, Vol 1 1909-1939" (1986), New Directions
  15. Williams, Carlos William, "American Short Novels" (1960)
  16. Williams, Carlos William, "Letter to an Australian Editor", William Carlos Williams Review, 17(2), pp.8~12 (1991)
  17. Williams, Carlos William, "Paterson" (1963), New Directions

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