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오페라 라보엠의 여주인공 무대 의상 연구

A Study of the Heroine's Stage Costume in the La Bohème

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초록

The purpose of this study was to research the heroines' fashion styles in the opera, “La Bohème.” This article studied the representations of the grisettes in 1830's France and the characteristics of the grisettes appeared in the original novel, “Scènes de la Vie de Bohème” and contemporary literatures and paintings. The one of the heroines, Mimi was figured a virtuous female despite poor environments, by contrast Musetta was described as cruel, greedy and vicious female in the opera. But, by analyzing the original novel and the representations of the grisettes in contemporary literatures,this study figured out clearly Mimi and Musetta have same origin and similar aspects, not contrast. Up to the present mimi's costumes were not sophisticated but too simple compared to Musetta's. Also Musetta's costume were too much luxury considering her status. This study proposed a new fashion style considering not only analysis result of the heroins' characteristics but contemporary costume design of the 1830's France.

Abstract

The purpose of this study was to research the heroines' fashion styles in the opera, “La Bohème.” This article studied the representations of the grisettes in 1830's France and the characteristics of the grisettes appeared in the original novel, “Scènes de la Vie de Bohème” and contemporary literatures and paintings. The one of the heroines, Mimi was figured a virtuous female despite poor environments, by contrast Musetta was described as cruel, greedy and vicious female in the opera. But, by analyzing the original novel and the representations of the grisettes in contemporary literatures,this study figured out clearly Mimi and Musetta have same origin and similar aspects, not contrast. Up to the present mimi's costumes were not sophisticated but too simple compared to Musetta's. Also Musetta's costume were too much luxury considering her status. This study proposed a new fashion style considering not only analysis result of the heroins' characteristics but contemporary costume design of the 1830's France.

참고문헌 (23)

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  3. 최유진, "오페라 라보엠의 무대 의상 연구-보엠의 스타일을 중심으로-", 한국의류학회지, 34(7), pp.1065~1077 (2010), 한국의류학회
  4. Chambre de Commerce à Paris, "Statistique de L'Industrie à Paris,résultant de L'Enquête Faite par la Chambre de Commerce pour les Années 1847-1848" (1851), Guillaumin
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  15. Musset,A, "Mademoiselle Mimi Pinson:profil de grisette", pp.19~20 (1899), les Cent bibliophiles
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  19. Puccini, G, "La bohème", Rai Trade, ~, pp.DVD (2003)
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  21. Seigel, J, "Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1830-1930" (1987), Penguin Books
  22. Stamm, T. D, "Gavarni and the Critics" (1981), UMI Research Press
  23. Thompson, V. E, "The virtuous Market Place: Women and Men, Money and Politics in Paris, 1830-1870" (2000), The Johns Hopkins university press

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