조선후기 불교장엄과 의례에 수용된 정토사상

Abstract

The decoration of Buddhism is a specific act that informs the general public through the process of embodying the idea of the Bhagavat's teachings. In the idea of pure-Land, the idea of Bodhisattva practicing the ideology of Mahayana Buddhism was extended to disputes. In addition, rituals are reinterpreted in the process of actualizing the meaning of the teachings of religion, and they are formalized in a unique form. Such rituals have been systematically organized as consciousness as a way to be practiced, and are spreading in various ways, such as virtue, sermon, food, godliness, wisdom, response, and cleanliness. The ornaments of the Pure-Land appearing in “Sutra of the Amitabha group” are also found in the early scriptures, “long of the Agamas”, and the elements of painting and architecture can be examined in detail. In the esoteric Buddhist scriptures, the decoration of the land and the grandeur of the dharma are expanding into a process of sublimation. However, the majesty of Buddhism in the late Joseon dynasty emphasized various aspects because the ideological foundation was based on Confucianism at the time, and the phenomenon that was actively developed for the general people was a reality that could accommodate visual and auditory effects It was a constraint. Therefore, Buddhist culture developed in the form of architecture, painting, and consciousness was characteristic of the late Joseon period. The architecture of Buddhism pursues the harmony of various elements of temple and harmony with nature in harmony with the aesthetic aspect and the aesthetic aspect, and the function is expanded by deviating from the spatial form of simple ritual. The Buddhist sculpture, which is a kind of sculpture developed in a different form from the Buddhist statue, shows the form of comprehensive Buddhist art including sculpture and painting elements. Buddhist paintings were accepted for the purpose of exploiting the space for new activities. It was created with the purpose of worshiping the majesty of Buddhist temples and Buddhism, and the purpose of conveying the Buddhist doctrine to the public easily. However, in the ideological part, the image of the esoteric thought and guardian ideology, and the combination of Huayan and the idea of Pure-land are also centered on the idea of Pure-land. Also the ceremony of accepting the idea of the Pure Land occupies an important place in the ritual of water and fire. The whole composition of the ceremony has a certain belief system without losing the character of realizing the faith of the Pure-Land. Therefore, the ideology of the clean earth in the later Joseon period, which accommodated various ideas in tangible Buddhist culture and intangible Buddhist rituals, aimed at harmonizing the faith by integrating various traditional beliefs and the private beliefs of the time in a large category. The ideas of this clean earth, the customary contents of the civilization, and the ideas of decorating Confucianism and Taoism are not merely a fusion but a reflection of the history and the time, and the ideological harmony and the present environment And it is a remarkable historical Buddhist transformation that is being conveyed today.