Class reproduction and Korean male dancers receiving exemption from military service through dance competitions
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The purpose of this study is to understand the habitus or field of Korean male dancersexempted from military service through dance competitions from Pierre Bourdieu’spoint of view and accept, to pass the Korea dance culture for their own just culture tofind the mechanism of represent their class and culture privilege. To as to achieve thepurposes of the research, we selected four male dancers from ”S university” and “Kuniversity” who had been exempted from military service as a result of participation indance competitions as participants in this study, using purposeful sampling. For this,we employed participatory, in-depth interviews, research participants’ cover letters andexperiential statements, the researcher’s reflective notes, the research participants’dance concours-related video, etc. The results are as follows. In terms of themechanisms of class reproduction in dance, the legitimacy of the fields accepted by theresearch participants was acting as an apparatus that reinforces cultural privileges andreproduces class. And this continues into the next generation. Competitions havedeveloped beyond a simple cultural art into an art that evaluates, measures, andrecognizes dancers’ talents and skills, but Korea’s dance competition culturereproduces unequal social structures.
Abstract
The purpose of this study is to understand the habitus or field of Korean male dancersexempted from military service through dance competitions from Pierre Bourdieu’spoint of view and accept, to pass the Korea dance culture for their own just culture tofind the mechanism of represent their class and culture privilege. To as to achieve thepurposes of the research, we selected four male dancers from ”S university” and “Kuniversity” who had been exempted from military service as a result of participation indance competitions as participants in this study, using purposeful sampling. For this,we employed participatory, in-depth interviews, research participants’ cover letters andexperiential statements, the researcher’s reflective notes, the research participants’dance concours-related video, etc. The results are as follows. In terms of themechanisms of class reproduction in dance, the legitimacy of the fields accepted by theresearch participants was acting as an apparatus that reinforces cultural privileges andreproduces class. And this continues into the next generation. Competitions havedeveloped beyond a simple cultural art into an art that evaluates, measures, andrecognizes dancers’ talents and skills, but Korea’s dance competition culturereproduces unequal social structures.
참고문헌 (8)
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