오래된 음악에 대한 새로운 논쟁 - 역사주의적 연주와 음악사 쓰기
Late Debates on Early Music: Historiography of HIP
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Recently, musicologists try to understand and explain the HIP(historically informed performance) phenomenon in 20th century. This paper introduces some of the recent arguments suggested by leading scholars: Robert Morgan suggested that historical performance is flourished since we do not have our own musical tradition. While John Butt maintains that HIP is a postmodern phenomena, Richard Taruskin consider it modern. Laurence Dreyfus argues that HIP should be a hermeneutic activity that reveals the meaning of the early music and also prevents the fossilization of performance.
Abstract
Recently, musicologists try to understand and explain the HIP(historically informed performance) phenomenon in 20th century. This paper introduces some of the recent arguments suggested by leading scholars: Robert Morgan suggested that historical performance is flourished since we do not have our own musical tradition. While John Butt maintains that HIP is a postmodern phenomena, Richard Taruskin consider it modern. Laurence Dreyfus argues that HIP should be a hermeneutic activity that reveals the meaning of the early music and also prevents the fossilization of performance.
참고문헌 (10)
- 김욱동, "모더니즘과 포스트모더니즘" (1992), 서울: 현암사
- 강해근 외, "역사주의 연주의 이론과 실제" (2006), 서울: 음악세계
- 니콜라스 아르농쿠르, "바로크 음악은 ‘말’한다" (2006), 서울: 음악세계
- 조셉 커먼, "음악을 생각한다" (2006), 서울: 궁리
- Butt, John, "Playing with History" (2002), Cambridge University Press
- Haynes, Bruce, "The End of Early Music" (2007), Oxford University Press
- Kenyon, Nicholas, "Authenticity and Early Music" (1988), Oxford University Press
- Kerman, Joseph(et al.), "The Early Music Debate: Ancients, Moderns, Postmoderns", The Journal of Musicology, 10(1) (1992)
- Shermarn, Bernard, "Inside Early Music" (1997), Oxford University Press
- Taruskin, Richard, "Text and Act" (1995), Oxford University Press