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Two Quentins: Dialogue between Self and Other in Absalom, Absalom!

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Abstract

William Faulkner’s Absalom, Absalom!is a novel that shows how thetruth of a story is created through a collaborative effort of narrators. Thenovel is layered with two levels. There is a story of Thomas Sutpenwhose innocence and ignorance makes him face the black butler’s rejec-tion at the door of a plantation house, of which pattern is repeated byother characters, most importantly his son, Charles Bon. As DoreenFowler indicates, Bon is the object of desire, objet petit a, for all charac-ters that would complete Sutpen’s design and his identity only ifacknowledged. The motif of rejection and lack of communication resur-faces among characters throughout the novel by Faulkner’s metaphoricuse of words such as “face,” “door,” and “touch” representing a fixedego(face) or border-crossings(door and touch). However, the novel’score, Sutpens’ tragedy, is wrapped by another level where QuentinCompson’s narration and his conversation with other narrators reveals a

참고문헌 (11)

  1. Bakhtin, Mikhail M, "The Dialogic Imagination: Four Essays" (1981)
  2. Brooks, Peter, "Reading for the Plot" (1984)
  3. Faulkner, William, "Absalom, Absalom!" (1990)
  4. Findlay, J. N, "Foreword with Analysis of the Text" (1977)
  5. Fowler, Doreen, "Faulkner: The Return of the Repressed" (1997), Charlottesville: UP of Virginia
  6. Hegel, G. W. F, "The Phenomenology of Spirit" (1977)
  7. Irwin, John T, "Doubling and Incest", pp.115~42 (1986), “Doubling and Incest
  8. Lacan, Jacques, "Ecrits: A Selection" (1977)
  9. Ross, Stephen M, "Fiction’s Inexhaustible Voice: Speech and Writing in Faulkner" (1989), The U of Georgia P
  10. Snead, James, "The ‘Joint’ of Racism: Withholding the Black in Absalom, Absalom!", pp.129~41 (1987)
  11. Weinstein, Phillip, "Faulkner’s Subject: A Cosmos No One Owns" (1992)

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