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실코의 다양한 이야기들을 통해서 재현되는 현대 미국 원주민의 정체성

The Identity of Contemporary Native Americans Represented by Various Stories of Leslie Marmon Silko

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In this paper, I will explore disparate voices embedded in the interactions of stories in which personal, cultural, historical, and mythical consciousness brings up diverse ideas about the experiences of Native Americans. The accommodation of differences and changes is clearly manifested through the healing ceremony of Tayo, which poses some practical questions: what could be the authentic tradition of Native Americans?; which direction should it be led to? As these questions suggest, Tayo needs to think over and work through the way that Native oral stories will enrich the signification of being Indian within multicultural U. S. society. In other words, Tayo should transfer the oppositional relationship between Anglo and Native American world into an interactive one to bring forth new meanings concerning their interactions. As a hybrid, Tayo begins to recognize that his fragmented consciousness could represent the pervasive but surmountable anxiety about the cultural clash between Native and White Americans. Going through the multiple layers of his stories, Tayo learns that Native Americans need to hold a balanced viewpoint firmly: this demonstrates that storytelling brings restoration and renewal to him. As a result of Betonie’s healing ceremony and his intimate relationship with Ts’eh, Tayo comes to have a holistic comprehension about how all the living things are interconnected to one another. After acquiring this recognition, Tayo succeeds in his quest to get back Josiah’s cattle and recovers his identity as a Laguna Pueblo Indian, still letting diverse voices,cultures, and stories flow into the process of storytelling. As the last scene in which the conversations among Tayo, Auntie, and Grandmother took place illustrates, Tayo has newly secured a position that will require him to create a new, alternative story, not just repeating previous stories.

Abstract

In this paper, I will explore disparate voices embedded in the interactions of stories in which personal, cultural, historical, and mythical consciousness brings up diverse ideas about the experiences of Native Americans. The accommodation of differences and changes is clearly manifested through the healing ceremony of Tayo, which poses some practical questions: what could be the authentic tradition of Native Americans?; which direction should it be led to? As these questions suggest, Tayo needs to think over and work through the way that Native oral stories will enrich the signification of being Indian within multicultural U. S. society. In other words, Tayo should transfer the oppositional relationship between Anglo and Native American world into an interactive one to bring forth new meanings concerning their interactions. As a hybrid, Tayo begins to recognize that his fragmented consciousness could represent the pervasive but surmountable anxiety about the cultural clash between Native and White Americans. Going through the multiple layers of his stories, Tayo learns that Native Americans need to hold a balanced viewpoint firmly: this demonstrates that storytelling brings restoration and renewal to him. As a result of Betonie’s healing ceremony and his intimate relationship with Ts’eh, Tayo comes to have a holistic comprehension about how all the living things are interconnected to one another. After acquiring this recognition, Tayo succeeds in his quest to get back Josiah’s cattle and recovers his identity as a Laguna Pueblo Indian, still letting diverse voices,cultures, and stories flow into the process of storytelling. As the last scene in which the conversations among Tayo, Auntie, and Grandmother took place illustrates, Tayo has newly secured a position that will require him to create a new, alternative story, not just repeating previous stories.

참고문헌 (23)

  1. 강자모, "의식" (2004), 동아시아
  2. 정순국, "다문화 사회에서의 글로리아 안잘두아의 『경계지대들", 경계선에서: 새로운 메스티자』의 혼성성의 시학, 2010, pp.10(2), 231~266[DOI]
  3. Arnold, Ellen L, "An Ear for the Story, an Ear for the Pattern: Reading Ceremony", Modern Fiction Studies, 45(1), pp.69~92 (1999)
  4. Bakhtin, Mikhail, "Problems of Dostoevsky’s Poetics" (1984), U of Minnesota P
  5. Bell, Robert C, "Circular Design in Ceremony. In: Leslie Marmon Silko’s Ceremony: A Casebook", pp.23~40 (2002), Oxford UP
  6. Cook-Lynn, Elizabeth, "American Indian Intellectualism and the New Indian Story. In: Natives and Academics: Researching and Writing about American Indians", pp.111~138 (1998), U of Nebraska P
  7. De Man, Paul, "Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust" (1979), Yale UP
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  9. McLaren, Peter, "White Terror and Oppositional Agency: Toward a Critical Multiculturalism. In: : A Critical Reader", pp.45~76 (1994), Blackwell Publishers Ltd
  10. Miller,J.Hillis, "Fiction and Repetition: Seven English Novels" (1982), Harvard UP
  11. Ortiz, Simon, "Woven Stone" (1992), U of Arizona P
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  13. Owens, Louis, "`The Very Essence of Our Lives’: Leslie Silko’s Webs of Identity. In: Leslie Marmon Silko’s Ceremony: A Casebook", pp.91~116 (2002), Oxford UP
  14. Parker, Robert Dale, "The Invention of Native American Literature" (2003), Cornell UP
  15. Purdy, John, "Tayo’s Genealogy in Ceremony. In: Leslie Marmon Silko’s Ceremony: A Casebook", pp.63~70 (2002), Oxford UP,
  16. Rainwater, Catherine, "The Semiotics of Dwelling in Leslie Marmon Silko’s Ceremony. Leslie Marmon Silko’s Ceremony: A Casebook", pp.117~138 (2002), Oxford UP
  17. Rupport, James, "No Boundary, Only Transitions: Ceremony. In: Leslie Marmon Silko’s Ceremony: A Casebook", pp.175~192 (2002), Oxford UP
  18. Schorcht, Blanca, "Storied Voices in Native American Texts: Harry Robinson, Thomas King, James Welch and Leslie Marmon Silko" (2003), Routledge
  19. Silko, Leslie Marmon, "Ceremony" (1977), Penguin
  20. Silko, Leslie Marmon, "Language and Literature from a Pueblo Indian Perspective. In: Yellow Woman and a Beauty of the Spirit", pp.48~59 (1996), Simon and Schuster
  21. Silko, Leslie Marmon, "Yellow Woman and a Beauty of the Spirit", ~
  22. Swan, Edith, "Healing via the Sunwise Cycle in Silko’s Ceremony", American Indian Quarterly, 12(4), pp.313~328 (1988)
  23. Vizenor, Gerald, "Fugitive Poses: Native American Indian Scenes of Absence and Presence" (1998), U of Nebraska P

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