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인종과 자본의 시각에서 일본계 미국문학 읽기 —존 오카다의『노노보이』와 모니카 소네의 『니세이 딸들』을 중심으로

Reading Japanese-American literature from the perspectives of the Capital and Race: Focusing on John Okada’s No-No Boy and Monica Sone’s Nisei Daughters

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The experience of interment during World War II has been one of the primary motifs of fictional and autobiographical narratives by Japanese Americans. Examining textual evidences in John Okada’s No-No Boy and Monica Sone’s Nisei Daughters, this paper argues that the internment has been designed, carried out and concluded based primarily on the principles of economics. Borrowing the notion that ‘wealth has (racial) color’ as Lui and others maintain, this paper analyzes episodes in which the protagonists and other characters testify how their internment has resulted in their loss of capital as well as human rights and dignity, not to mention temporary suspension of their citizenships. In addition, this paper contrasts the image of the US as a land of equity as represented in the literary texts of the 18th century authors in the US with that of our two authors. In doing so, this paper argues that the historical incident of internment in the 20th century is the scene in which American ideals become irrecoverably sullied and American dreams turn into American nightmares.

Abstract

The experience of interment during World War II has been one of the primary motifs of fictional and autobiographical narratives by Japanese Americans. Examining textual evidences in John Okada’s No-No Boy and Monica Sone’s Nisei Daughters, this paper argues that the internment has been designed, carried out and concluded based primarily on the principles of economics. Borrowing the notion that ‘wealth has (racial) color’ as Lui and others maintain, this paper analyzes episodes in which the protagonists and other characters testify how their internment has resulted in their loss of capital as well as human rights and dignity, not to mention temporary suspension of their citizenships. In addition, this paper contrasts the image of the US as a land of equity as represented in the literary texts of the 18th century authors in the US with that of our two authors. In doing so, this paper argues that the historical incident of internment in the 20th century is the scene in which American ideals become irrecoverably sullied and American dreams turn into American nightmares.

참고문헌 (13)

  1. Chang, Joan Chiung-huei, "Conflicts between Nation and Family", Journal of American Studies in Korea, 32(2), pp.379~399 (2000)
  2. Chang, Joan Chiung-huei, "Transforming Chinese American Literature: A Study of History, Sexuality, and Ethnicity" (2000), Peter Lang
  3. Cheung, King-kok, "An Interethnic Companion to Asian American Literature" (1997), Cambridge UP
  4. Cumings, Bruce, "Dominion from Sea to Sea: Pacific Asccendancy and American Power" (1986), Yale UP
  5. 황정현, "Liberal Homosociality in Cold War America: Racial Integration and Gendered Citizenship in John Okada’s No-No Boy", 미국학 논집, 43(1), pp.93~113 (2011), 한국아메리카학회
  6. Kim, Elaine H, "Asian American Literature" (1982), Temple UP
  7. Print. Lim, "Shirley Geok-Lin. Asian-American Literature: An Anthology" (2000), NTC
  8. Lui, Meizhu, "The Color of Wealth: the story behind the U.S. racial Wealth Divide" (2006), The New Press
  9. Okada, John, "No-No Boy" (1976), U of Washington P
  10. 박진임, "죤 오카다의 ?노노보이?에 나타난 일본계 미국인의 어두운 자화상: 아시아계 미국문학의 특수성에 대한 한 고찰", 현대영미소설, 10(2), pp.7~176 (2003), 한국현대영미소설학회
  11. Perkins, George, "The American Tradition in Literature, Ninth Edition" (1999), McGraw-Hill College
  12. Sone, Monica, "Nisei Daugthers" (1979), U of Washington P
  13. The Association for the Study of American History in Korea, "The History of the U.S. Based on Historical Documents" (1991), Kungli

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