1798년『서정민요집』의 저자의 기능과 시적 실험
The Function of the Author and the Poetic Experiments in Lyrical Ballads of 1798
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper aims at assessing the significance of Lyrical Ballads of 1798,the agreed inaugurator of English Romanticism, in terms of such key concepts as poetic “experiments,” “conversation,” and the authorial function. The 1798 volume marks an interesting incidence in which an author with no tangible substantiality can wield his authorial function over his works. The volume is signed without the named proper noun — its author is neither William Wordsworth nor Samuel Taylor Coleridge. The figure of the author in this case is realized by the poems he writes; he produces, and is produced by, his works—a fact that constitutes part of the poetic experiments manifested in the Advertisement. Working under this reciprocal production, the Author of the 1798 volume and his poems are collectively aiming at establishing a new class of poetry and an interpretive community. The notion of “conversation” is a key element in the thematic, stylistic ties among individual poems. Poems of the 1798 volume effect multi-layered,“blended” voices. Readers are expected to draw out the topological interweaving among poems through the practices of dialogic reading. In this light,the sequential necessity of “The Rime” and “Tintern Abbey” should be emphasized. They are stitched together in a logic of textual placement and the transition from one to the other is never arbitrary. Most of all, they are working under the same authorial function, complementing each other, and addressing the same poetic project in different textual locations. As an inaugural work of English Romanticism, Lyrical Ballads of 1798 in fact makes so many things happen and yet again anticipates something yet to come with elusiveness. The value of this poetic experiments should be judged not only by what is claimed in it, but what it sets out to do and “how far” it will be performed, as implied in the Advertisement. The efficacy of the volume,more than anything else, is dependent upon the performative power of words.
Abstract
This paper aims at assessing the significance of Lyrical Ballads of 1798,the agreed inaugurator of English Romanticism, in terms of such key concepts as poetic “experiments,” “conversation,” and the authorial function. The 1798 volume marks an interesting incidence in which an author with no tangible substantiality can wield his authorial function over his works. The volume is signed without the named proper noun — its author is neither William Wordsworth nor Samuel Taylor Coleridge. The figure of the author in this case is realized by the poems he writes; he produces, and is produced by, his works—a fact that constitutes part of the poetic experiments manifested in the Advertisement. Working under this reciprocal production, the Author of the 1798 volume and his poems are collectively aiming at establishing a new class of poetry and an interpretive community. The notion of “conversation” is a key element in the thematic, stylistic ties among individual poems. Poems of the 1798 volume effect multi-layered,“blended” voices. Readers are expected to draw out the topological interweaving among poems through the practices of dialogic reading. In this light,the sequential necessity of “The Rime” and “Tintern Abbey” should be emphasized. They are stitched together in a logic of textual placement and the transition from one to the other is never arbitrary. Most of all, they are working under the same authorial function, complementing each other, and addressing the same poetic project in different textual locations. As an inaugural work of English Romanticism, Lyrical Ballads of 1798 in fact makes so many things happen and yet again anticipates something yet to come with elusiveness. The value of this poetic experiments should be judged not only by what is claimed in it, but what it sets out to do and “how far” it will be performed, as implied in the Advertisement. The efficacy of the volume,more than anything else, is dependent upon the performative power of words.
참고문헌 (45)
- Abrams, M. H, "Structure and Style in the Greater Romantic Lyric. In: Romanticism and Consciousness", pp.201~229 (1970), Norton
- Averill, James H, "The Shape of Lyrical Ballads (1798)", Philological Quarterly, 60(3), pp.387~407 (1981)
- Bakhtin, Mikhail, "Problems of Dostoevsky’s Problems" (1984), U of Minnesota P
- Bloom,Harold, "The Best Poems of the English Language: from Chaucer through Frost" (2004), Harper Collins Publisher Inc
- Boehm, Alan, "The 1798 Lyrical Ballads and the Poetics of Late Eighteenth- Century Book Production", ELH, 63, pp.453~487 (1996)
- Bourdieu, Pierre, "The Field of Cultural Production. Ed. Randal Johnson" (1994), Columbia UP
- Chartier, Roger, "The Order of Books. Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries" (1994), Stanford UP
- Coleridge, Samuel Taylor, "Biographia Literaria" (1983), Princeton UP
- Coleridge, Samuel Taylor, "Collected Letters of Samuel Taylor Coleridge" (1956), Clarendon-Oxford UP
- Coleridge, Samuel Taylor, "Lectures 1808-1819 on Literature" (1987), ceton UP
- Coleridge, Samuel Taylor, "Poetical Works (Reading Text)" (2001), Princeton UP
- Eilenberg, Susan, "range Power of Speech: Wordsworth, Coleridge, and Literary Possession" (1992), Oxford UP
- Foucault, Michel, "The Birth of the Clinic. An Archaeology of Medical Perception" (1973), Pantheon Books
- Foucault, Michel, "Language, Counter-memory, Practice" (1977), Cornell UP
- Fraistat, Neil, "Introduction: The Place of the Book and the Book as Place. In: Poems in Their Place. The Intertextuality and Order of Poetic Collections", pp.3~17 (1986), The U of North Carolina P
- Fraistat,Neil, "The Poem and the Book: Interpreting Collection of Romantic Poetry" (1985), The U of North Carolina P
- Garff, Joakim, "The Eyes of Argus: The Point of View and Points of View on Kierkegaad’s Work as an Author. In: Kierkegaard: A Critical Reader", pp.75~102 (1998), Blackwell Publishers
- Goldberg, Brian, "Ministry More Palpable : William Wordsworth and the Making of Romantic Professionalism", SiR, 36, pp.327~347 (1997)
- Jacobus, Mary, "Tradition and Experiment in Wordsworth’s Lyrical Ballads", pp.1976~, Clarendon P
- Johnston,Kenneth R, "The Hidden Wordsworth" (2001), Norton
- Joo, Hyeuk Kyu, "The Game of Proper Nouns And the Production of the Poet: Lyrical Ballads, 1798-1800", 박사, pp.2004
- Jordan,John E, "Why Lyrical Ballads? The Background, Writing, and Character of Wordsworth’s 1798 Lyrical Ballads" (1976), U of California P
- Kneale, J. Douglas, "Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge" (1999), McGill-Queen’s UP
- MacCaffrey, Isabel G, "Allegory and Pastoral in The Shepheardes Calender", ELH, 36, pp.88~109 (1969)
- Magnuson,Paul, "Coleridge and Wordsworth:A Lyrical Dialogue" (1988), Princeton UP
- Magnuson,Paul, "Reading Public Romanticism" (1998), Princeton UP
- Margoliouth, Herschel Maurice, "Wordsworth and Coleridge, 1795-1834" (1834), Oxford UP
- Mayo, Robert, "The Contemporaneity of the Lyrical Ballads", PMLA, 69, pp.486~522 (1954)
- McFarland, Thomas, "Romanticism and the Forms of Ruin: Wordsworth, Coleridge, and Modalities of Fragmentation" (1981), Princeton UP
- Miller, J. Hillis, "Fiction and Repetition: Seven English Novels" (1982), Harvard UP
- Miller,J.Hillis, "Speech Acts in Literature" (2001), Stanford UP
- Newlyn, Lucy, "Reading, Writing, and Romanticism: The Anxiety of Reception" (2000), Oxford UP
- Parrish,Stephen Maxfield, "The Art of the Lyrical Ballads" (1973), Harvard UP
- Schoenfield,Mark L, "The Professional Wordsworth: Law, Labor, and the Poet’s Contract" (1996), The U of Georgia P
- Sheats, Paul D, "The Making of Wordsworth’s Poetry, 1785-1798" (1973), Harvard UP
- Simpson, David, "Wordsworth’s Historical Imagination: The Poetry of Displacement" (1987), Methuen
- Siskin, Clifford, "Wordsworth’s Prescriptions: Romanticism and Professional Power, In: The Romantics and Us", pp.302~322 (1990), Rugters UP
- Smith,Barbara Herrnstein, "Poetic Closure:A Study of How Poems End" (1968), The U of Chicago P
- Smith, Elsie, "An Estimate of William Wordsworth by his Contemporaries 1793- 1822" (1822), Haskell House
- Treadwell, James, "Autobiographical Writing and British Literature, 1783-1834" (1834), Oxford UP
- Wheeler, Kathleen M, "The Creative Mind in Coleridge’s Poetry" (1981), Harvard UP
- Williams, Raymond, "Culture and Society: 1780-1950" (1950), Columbia UP
- Wordsworth, William, "Lyrical Ballads, and Other Poems, 1797-1800" (1800), Cornell UP
- Wordsworth, William, "1798" (1969), Oxford UP
- Wu, Duncan, "Romanticism. An Anthology. 2nd ed" (1998), Blackwell Publishers