항해 홍길주의 공간 설계와 장자

Abstract

This paper concerned the truth of Hanghae Hong Gilju’s space recognition and grasping its origin through various texts including Suksunyem. Especially, it paid attention to affinity on Zhuangzi with paradox. Hong Gilju’s literature had heavy affinity with Zhuangzi. Even though not reminding Hong Sukju’s comment which he called Hong Gilju as Zhuangzi a thousand year ago, it was confirmed easily through several works including SokZhuangzi, Soyogaun etc. Hong Gilju accepted Zhuangzi not only writing but also recognition of the world on level independently. Of them, paradox was reflected to constructing works such as Biseobu, Munjangjungwon, Suksunyem, etc, which fulfilled functions which upset the view of readers and guided readers to new understanding world. Especially Suksunyem was made of paradox entirely and plenty of its inside parts depended on paradox, so Suksunyem was very interesting. Hong Gilju spread his new view of literature with showing paradox between not writing works and written works on Dongguksungridaejeonseo in Suksunyem, which were living creatures and live reading. He argued the source of literature which was meaning generated easy communication and in the course of it between subject and the world. It was the literature before type literature through reversing existing literature recognition buried in typed texts. Likewise paradox and space recognition reflected space design were good windows showing essence of Hong Gilju’s literature.