양주별산대놀이 깨끼춤의 전승양상 고찰 －‘기본춤’과 ‘모둠깨끼’를 중심으로－

Abstract

This study examines the formation background, composition and format of Gibon-ggeggi(basic dance) and Modum-ggeggi of Yangju Byeolsandae Nori. It analyzes the influence of two works on passing down of Yangju Byeolsandae Nori ggaeggi dance. First, basic dance is a matchum that Kim Sang-yong and Park Gyo-eung organized and performed. In 1975, Matchum, the dancing movements which was put together by those two performers was used in college students’ course of passing down of Yangju Byeolsandae Nori. Over the time, it has been settled as the basic dance of the Yangju Byeolsandae Nori. It is confirmed that the basic dance consists of most frequently used dance movements from pre-existing chapters and that it was arranged in the form of confrontational dance expressing the conflicts between the characters. Modum-ggeggi began to be put in order in 2002 by Seok Jong-gwan, an assistant in Modum-ggeggi classes. Starting 2004, it was recognized by members of Yangju Byeolsandae Nori Preservation Society and was actively put in performances within the Preservation Society. Since 2008 and Modum-ggeggi has been also used outside of Preservation Society for passing down of the Yangju Byeolsandae Nori and has been used widely until now. Modum-ggeggi, a newly composed dance based on Gibon-ggeggi dance, is assortment of most Ggeggi-type movements which are not included in Gibon-ggeggi dance. Making of Modum-ggeggi enabled structural passing of Yangju Byeolsandae Nori than before. The fact that it developed the previous length of 2 minute to 6 minute, it functions better as a performance act. Ggeggi dance of Yangju Byeolsandae Nori will be able to continue its creative succession, if, along with the standardization of dance to preserve and pass down to the next generation, the dance movements are used in the field to be improvised and performed.