김혜순 시에 나타난 신체 지칭어의 성격
A Character of the Designator of Body in Kim, Hae-soon's Poetry
1
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
This study observes a character of the designator of female body in Kim, Hae-soon's poetry. Since 1990s, female writing has generally focused on sexual discrimination and inequality as a literary movement. This paper follows on the positive aspect of Kim, Hae-soon's works, regarded as a leader of women's writing through a character of the designator of female body in her poetry. Consequently, the research falls into the below results. To begin with, Kim, Hae-soon's poems have a tendency to discuss 'Body part'. Second, her poetry tend to describe women's body as a means of strategy, and ironically destroys body part to escape from suppression of women's body. it stands for dualism to deform women's body for women's liberation. Third, childbirth is regarded as the origin of suppression formed on social culture code, and so as a matter of being denied. Furthermore, her poems rejects the root of feminine poetry with excluding childbirth and biological function. Fourth, the designator of female body in Kim, Hae-soon's poetry shows self-violence rather than beautifying women's body parts. For instance, coarse to indicate body part such as a skull, a corpse, the internal organs, a tooth tells example of self violence. Next, in her poetry, women's body is usually described as a 'speaking body' beyond 'sexual desired body'. It means she focuses on speaking organ between the lips of the vulva and the lips of mouth. lastly, the main objects of her poetry tends to deconstruct the topics such as male chauvinism, female life, modern mechanical thinking way. Especially, she seems to try to make a caricature of female body, and deconstruct it. To sum up, a character of Kim, Hae-soon's poetry should be concluded in resistance against gender discrimination and inequality. Furthermore, her literary works incline to reflect post modernism through denying modern thinking way and demolishing ready mede social system.
Abstract
This study observes a character of the designator of female body in Kim, Hae-soon's poetry. Since 1990s, female writing has generally focused on sexual discrimination and inequality as a literary movement. This paper follows on the positive aspect of Kim, Hae-soon's works, regarded as a leader of women's writing through a character of the designator of female body in her poetry. Consequently, the research falls into the below results. To begin with, Kim, Hae-soon's poems have a tendency to discuss 'Body part'. Second, her poetry tend to describe women's body as a means of strategy, and ironically destroys body part to escape from suppression of women's body. it stands for dualism to deform women's body for women's liberation. Third, childbirth is regarded as the origin of suppression formed on social culture code, and so as a matter of being denied. Furthermore, her poems rejects the root of feminine poetry with excluding childbirth and biological function. Fourth, the designator of female body in Kim, Hae-soon's poetry shows self-violence rather than beautifying women's body parts. For instance, coarse to indicate body part such as a skull, a corpse, the internal organs, a tooth tells example of self violence. Next, in her poetry, women's body is usually described as a 'speaking body' beyond 'sexual desired body'. It means she focuses on speaking organ between the lips of the vulva and the lips of mouth. lastly, the main objects of her poetry tends to deconstruct the topics such as male chauvinism, female life, modern mechanical thinking way. Especially, she seems to try to make a caricature of female body, and deconstruct it. To sum up, a character of Kim, Hae-soon's poetry should be concluded in resistance against gender discrimination and inequality. Furthermore, her literary works incline to reflect post modernism through denying modern thinking way and demolishing ready mede social system.
참고문헌 (24)
- 권택영, "욕망이론" (1995), 문예출판사
- 김용희, "김혜순 시에 나타난 여성신체와 환상 연구", 한국문화이론과 비평, 22 (2004), 한국문화이론비평학회
- 김정란, "한국현대시의 성취와 전망 1", 인문과학연구 (2001), 안동대학교 인문과학연구소
- 김지향, "한국현대여성시인연구" (1994), 형설출판사
- 김진아, "몸주체와 세계, 여성의 몸" (2005), 한국여성연구소, 창비
- 김현숙, "페미니즘이 한국 여성문학에 끼친 영향", 여성학논집, 17 (2000), 이화여자대학교 한국여성학연구원
- 남진우, "무서운 유희, 우리들의 음화" (1990), 문학과지성사
- 박희경, "두 입술의 미메시스, 몸주체와 세계, 여성의 몸" (2005), 창비
- 변신원, "페미니즘과 몸으로 길 찾기", 여성문학 연구, 5 (2001), 한국여성문학학회
- 서진영, "페미니즘과 여성적 글쓰기, 20세기 한국시의 사적 조명" (2003), 한국현대시학회, 태학사
- 송지현, "현대 여성시에 나타난 '몸'의 전략화 양상", 한국문학이론과 비평, 6(2), pp.371~393 (2002), 한국문학이론과비평학회
- 양은창, "문정희 시에 나타난 여성신체어의 성격", 한국문예창작, (9) (2006), 한국문예창작학회
- 이은정, "길들여지지 않은 나무들", 여성문학연구, (5) (2001), 한국여성문학학회
- 을 중심으로, "여성문학연구", 2002, 107~128, pp.한국여성문학학회
- 전미정, "한국현대시와 에로티시즘" (2002), 새미
- 정소영, "포르노, 전시되는 몸, 여성의 몸" (2005), 한국여성연구소, 창비
- 최민홍, "철학대사전" (1985), 휘문출판사
- 리타 펠스키, "근대성과 페미니즘" (1998), 거름
- 쥴리엣 미첼, "여성의 지위" (1984), 동녘
- 조르쥬 바따이유, "에로티시즘" (1989), 민음사
- 조르쥬 바따이유, "에로티시즘의 역사" (1998), 민음사
- 프로이트, "정신분석학의 근본개념" (2004), 열린책들
- Mellard,James M., "Using Lacan, Reading Fiction" (1991), Univ.of Illinois Press
- Philip Thomson, "그로테스크" (1986), 서울대학교 출판부
