南怡 說話의 傳承樣相과 堂神化 過程

Abstract

This article examined the Transmission aspect of Namyi(南怡)’s Tales which represented in official history & literature and tradition, and considered the process to place General Namyi in a folk hero who is the existence of historical figures. For official history, it includes some feelings to be given by portraying somewhat negatively a person than a valiant armament. It shows distinctness that, for documented Folk-Narrative, that is inserted predictions of short-lived by a fortune-teller before historical deaths as called a death by rebels, whereas,for oral folktale, being inserted illustrations of the unjust death as called a rebellion by revenge of the vindictive spirits. We may assume that it is because of acting by a Confucianism viewpoint of the Life & Death of an illustrious official who tries to accept the destiny of individuals and by a Buddhist one of common people who tries to accept a principle of circulation rather than blaming his death on politicians of the country. We can see the divine artworks of General Namyi seated by ‘Bugoon Dang sin(府君堂神)’ over oral folktale. This was intended to reflect here by a messenger of tradition who adopts and reconstitutes the existed appropriate artworks for creating him, that General Namyi was a real person, as a hero divinity. By extension, when we assume it with the contents of the adopted artworks and its nature, it indicates that is the divinity that can protect their life exhausted by the repeated wars and an intrepid general who can make strong the country against an enemy country by more strong power what the people of the time wants. Intrepid General Namyi who died young by a trap of having plotted have took his place as their ‘Bugoon Dang sin(府君堂神)’at last after passing the process of recreating to a hero divinity adopted by the divine artworks, which was selected by request of the people who desiring a stronger and intrepid hero in the age of crisis 100 years after.