退溪의 漢詩에 나타난 ‘拙樸’의 美

Abstract

This thesis is the study on the Aesthetics of literature 'The artless art and good nature(拙樸)' of exposed to a The chinese poetry of Tdegye(退溪) in the Choseon Dynasty period. Tdegye(退溪) was leave about 2000 a poem. His poem is under a bias toward a pastoral and a rustic emotion. The aesthetic consciousness in an Aesthetics of The artless art and good nature. How to enjoyment art and culture Confucian scholars The chinese poetry of Tdegye(退溪) in the Choseon Dynasty period. This term derives from ancient chinese a philosophy. Be concerned in the Moral philosophy and an Aesthetics of The artless art and good nature The chinese poetry of Tdegye in the Choseon Dynasty period. The artless art and good nature is the subject aesthetics point of view to literary works, paintings and writings, a piece of sculpture, works of pottery, and others various kinds of a work of arts, evenly among all was widely distributed to the Choseon(朝鮮) Dynasty period. A combination of Confucian scholar and pastoral was moral culture of mind utility to natural beauty find to mountains and waters in the Choseon Dynasty period. The interior of The artless art and good nature was comprised in moral culture of mind utility of The discussion of the Moral philosophy and an Aesthetics. The aesthetics of artless art and good nature is an ideology of arts point of view to Tdegye(退溪)'s creation of the nature poem. Tdegye(退溪)'s a nature poem <Dosan-jabyoung(陶山雜詠)> was space of 'the aesthetics of artless art and good nature.(拙樸)' This is The nature poem creation an idea.