윤중호 시의 장소적 특성 연구

Abstract

This article is a thesis to study the characteristics of the place of Yun Jung-ho’s poetry. The goal is to reveal the characteristics of “Seoul,” the place where Yun Jung-ho lived most of his life, “Anmyeondo Island,” where he lived before returning to college after being discharged from the military, and “Geumgang River,” the original experience place where Yun Jung-ho was born and raised. In Yun Jung-ho’s poem, there are many poems titled the place, including specific names. Particularly noteworthy is the title of the ‘In+nomination’ structure. The combination of the preposition ‘in’ that represents the place is so unique that it is said to be the originality of Yun Jung-ho’s poem. In Yun Jung-ho’s poem, Seoul, or “Bon-dong” or “Migration Complex,” is a place where displaced people settle down and continue their lives. “Bon-dong" is a place dotted with poverty, anger, and etc. So ”Bon Dong“ is suspected of developing a very desperate narrative. However, Yun Jung-ho does not charge “Bon-dong” with these charges. He sings of a simple but healthy life through the narratives of people living in “Bon-dong.” The perception of “Migration Complex” is not much different. “Anmyeondo Island” can be seen as a place opposite to Seoul. The experience of “Anmyeondo Island” is ambivalent to Yun Jung-ho. “Anmyeondo Island” is not a place that provides material abundance, economic comfort, or emotional peace. However, “Anmyeondo Island” is a place to recognize and experience the values of equality and honesty, and a place of confident self-confirmation that neutralizes shame. It is a place where he see death, but the place where he realize the maturity of life and confirm it is also “Anmyeondo Island.” The narrative created in “Geumgang River,” Yun Jung-ho's original experience place, acquires a sense of liveliness through the combination of specific places and a character who have secured realism. Yun Jung-ho describes his hometown “Geumgang River” as a place of loss. Since the “Geumgang River” is in contact with death, it is shaped as a place to evoke death.