본문 바로가기
KERD
논문KCI 등재

Modified Mythological Figures, Theseus’ Character, and Patriarchal Power in A Midsummer Night’s Dream

1

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류영어와문학

초록

A Midsummer Night’s Dream includes relatively many characters related with Greek elements such as Greek mythology and history. The main characters in the play such as Theseus, Hippolyta, Egeus, Helena, Lysander, and Demitrius are borrowed from Greek mythological or historical figures. It is quite interesting to notice that Shakespeare employs Greek mythological and historical characters in various ways. First, some theatrical characters in the play take after mythological heroes. Then, other theatrical figures are from historical characters who are involved in Greek history. Additionally, several mythological stories or characters are used to combine elements of Ancient Greece with those of Renaissance England. Shakespeare craftily creates his theatrical characters by changing the specific features of the original mythological figures. For example, on one hand, some theatrical characters may represent original mythological figures, on the other hand, others appear as slightly or totally different characters. There is a correlation between theatrically modified characters and Theseus’ changing attitude toward patriarchal culture. This essay examines how mythological characters are transformed in A Midsummer Night’s Dream in terms of reading Theseus’s changing attitude and behavior in relation to patriarchal power.

Abstract

A Midsummer Night’s Dream includes relatively many characters related with Greek elements such as Greek mythology and history. The main characters in the play such as Theseus, Hippolyta, Egeus, Helena, Lysander, and Demitrius are borrowed from Greek mythological or historical figures. It is quite interesting to notice that Shakespeare employs Greek mythological and historical characters in various ways. First, some theatrical characters in the play take after mythological heroes. Then, other theatrical figures are from historical characters who are involved in Greek history. Additionally, several mythological stories or characters are used to combine elements of Ancient Greece with those of Renaissance England. Shakespeare craftily creates his theatrical characters by changing the specific features of the original mythological figures. For example, on one hand, some theatrical characters may represent original mythological figures, on the other hand, others appear as slightly or totally different characters. There is a correlation between theatrically modified characters and Theseus’ changing attitude toward patriarchal culture. This essay examines how mythological characters are transformed in A Midsummer Night’s Dream in terms of reading Theseus’s changing attitude and behavior in relation to patriarchal power.

참고문헌 (18)

  1. Bulfinch, Thomas, "Bulfinch’s Greek and Roman Mythgology" (2000), New York
  2. Calderwood, James L., "A Midsummer Night’s Dream: Anamorphism and Theseus’ Dream", Shakespeare Quarterly, 42(4), pp.409~430 (1991)
  3. Harris, Jonathan Gil, "Shakespeare and Literary Theory" (2010), Oxford UP
  4. Heuscher, Julius E., "Theseus and Hippolyta on the Couch", The American Journal of Psychoanalysis, 49(4), pp.319~327 (1989)
  5. Hunt, Maurice, "Individuation in A Midsummer Night’s Dream", South Central Review, 3(2), pp.1~13 (1986)
  6. Howard, Skiles, "Hands, Feet, and Bottoms: Decentering the Cosmic Dance in A Midsummer Night’s Dream", Shakespeare Quarterly, 44(3), pp.325~342 (1993)
  7. Lamb, M. E, "A Midsummer Night’s Dream : The Myth of Theseus and the Minotaur", TSLL, 21, pp.478~491 (1979)
  8. McPeek, James A. S., "The Psyche Myth and A Midsummer Night’s Dream", Shakespeare Quarterly, 23(1), pp.69~79 (1972)
  9. Marshall, David, "Exchanging Visions: Reading A Midsummer Night’s Dream", ELH, 49(3), pp.543~575 (1982)
  10. Miola, Robert S, "Shakespeare’s Reading" (2000), Oxford UP
  11. Montrose, Louis Adrian, "Shakespeare and Gender", pp.19~52 (1999), Garland Publishing, Inc
  12. Olson, Paul A, "A Midsummer Night’s Dream and the Meaning of Court Marriage", ELH, 24, pp.95~119 (1957)
  13. Ormerod, David, "A Midsummer Night’s Dream : The Monster in the Labyrinth", Shakespeare’s Studies, 11, pp.39~52 (1978)
  14. Rudd, Niall, "Shakespeare’s Ovid", pp.113~125 (2006), Cambridge UP
  15. Shakespeare, William, "The Arden Shakespeare" (1979), Methuen
  16. Siegel, Paul. A., "A Midsummer Night’s Dream and the Wedding Guests", Shakespeare Quarterly, 4(2), pp.139~144 (1953)
  17. Slights, William W. E., "The Changeling in a Dream", Studies in English Literature, 28(2), pp.259~272 (1988)
  18. Traub, Valerie, "The Cambridge Companion to Shakespeare", pp.129~146 (2001), Cambridge UP

관련 논문AI추천

이 간행물의 다른 논문 (7건)