본문 바로가기
KERD
논문KCI 등재

『한여름 밤의 꿈』(A Midsummer Night's Dream)에 나타난 가부장적 통치수단으로써 시각의 의미

The meaning of perspective as a patriarchal ruling method in A Midsummer Night’s Dream

2

조회

0

다운로드

3

인용

0

참고문헌

키워드

주제분류영어와문학

초록

Shakespeare’s A Midsummer Night’s Dream is well-known as a romantic play with love and marriage of youth, but it is also evaluated as a strict patriarchal play with oppression of women and violence by men. This article aims to show that men can oppress women by controlling and distorting their perspectives, for example, controlling women’s perspectives can be a patriarchal ruling method used against women for social order and hierarchy. Violence is a common method for men to use against women to maintain their patriarchy. In this play, men use violence and also try to control women’s perspectives to maintain their rule. Hippolyta is controlled by the violence of Theseus and two young men in the woods are controlled by Oberon’s magic which makes them change their perspectives. Titania who struggles with Oberon is also controlled by his magic. Oberon controls people’s perspectives by his magic and makes them like what he intends. Hippolyta likes Bottom’s donkey head, and Demetrius likes Helena. By controlling people’s perspectives, Oberon can solve his and other’s problems and establish his power. Until now, men have used a lot of methods to control women, and in this play Shakespeare shows that controlling women’s perspectives can be a method to control and oppress women for social order. So men want to use irrational and supernatural power such as magic to oppress women, which can serve their patriarchy.

Abstract

Shakespeare’s A Midsummer Night’s Dream is well-known as a romantic play with love and marriage of youth, but it is also evaluated as a strict patriarchal play with oppression of women and violence by men. This article aims to show that men can oppress women by controlling and distorting their perspectives, for example, controlling women’s perspectives can be a patriarchal ruling method used against women for social order and hierarchy. Violence is a common method for men to use against women to maintain their patriarchy. In this play, men use violence and also try to control women’s perspectives to maintain their rule. Hippolyta is controlled by the violence of Theseus and two young men in the woods are controlled by Oberon’s magic which makes them change their perspectives. Titania who struggles with Oberon is also controlled by his magic. Oberon controls people’s perspectives by his magic and makes them like what he intends. Hippolyta likes Bottom’s donkey head, and Demetrius likes Helena. By controlling people’s perspectives, Oberon can solve his and other’s problems and establish his power. Until now, men have used a lot of methods to control women, and in this play Shakespeare shows that controlling women’s perspectives can be a method to control and oppress women for social order. So men want to use irrational and supernatural power such as magic to oppress women, which can serve their patriarchy.

참고문헌 (27)

  1. 김용태, ""난 참으로 진기한 꿈을 꾸었어": 『한여름 밤의 꿈』에서의 젠더 질서의 양면성", Shakespeare Review, 40(3), pp.541~563 (2004), 한국셰익스피어학회
  2. 김해룡, "A Midsummer Night’s Dream 대위법”-Elizabeth 왕조의 성의 위계와 권력체계-", Shakespeare Review, 33(1), pp.75~106 (1998)
  3. 나영균, "A Midsummer Night’s Dream, In 셰익스피어 작품해설 (II)", pp.581~598 (2002), 범한서적
  4. 몬트로스, 루이즈, "『한여름 밤의 꿈』과 엘리자베스 시대의 문화를 형성하는 환타지들: 성별, 권력, 형식, In 셰익스피어 비평 연구", pp.424~452 (1995), 한신문화사
  5. 박정근, "『한 여름 밤의 꿈』에 나타난 풍요제의 사회 정치적 의미", Shakespeare Review, 43(1), pp.103~132 (2007), 한국셰익스피어학회
  6. 오스틴, 게일, "페미니즘과 연극비평" (1995), 현대미학사
  7. 이글턴, 테리, "셰익스피어 다시 읽기" (1996), 민음사
  8. Berry, Ralph, "Shakespeare’s Comedies: Explorations in Form" (1972), Princeton UP
  9. Calderwood, James L, "A Midsummer Night’s Dream: The Illusion of Drama", Modern Language Quarterly, 26, pp.507~515 (1965)
  10. Campbell, Joseph, "Myths, Dreams and Religions" (1970), Dutton
  11. Desmet, Christy, "Disfiguring Women with Masculine Tropes: A Rhetorical Reading of A Midsummer Night’s Dream, In A Midsummer Night’s Dream Critical Essays", pp.299~330 (1989), Garland Publishing
  12. Faber, M. D., "Hermia’s Dream: Royal Road to A Midsummer Night’s Dream", Literary and Psychology, 22, pp.179~190 (1972)
  13. Freake, Douglas, "A Midsummer Night’s Dream as a Comic Version of the Theseus Myth, In A Midsummer Night’s Dream Critical Essays", pp.259~274 (1989), Garland Publishing
  14. Figuring Power: Censorship and Representation in A Midsummer Night’s Dream, In A Midsummer Night’s Dream Critical Essays, "Dis", pp.1989, Freedman, Barbara
  15. Frye, Northrop, "The Myth of Deliverance: Reflections on Shakespeare’s Problem Comedies" (1983), U of Toronto
  16. Nought Shall Go Ill.”, In A Midsummer Night’s Dream Critical Essays, "A Midsummer Night’s Dream “Jack Shall Have Jill;", pp.1989, Garner, Shirley Nelson
  17. Gay, Penny, "The History of Shakespeare’s Unruly Women, In The Routledge Reader in Gender and Performance", pp.41~46 (1998), Routledge
  18. Goldstein, Melvin, "Identity Crisis in a Midsummer Nightmare: Comedy as Terror in Disguise", Psychoanalytic Review, 60, pp.169~204 (1973)
  19. Hunter, G. K., "The Later Comedies" (1962), Longman
  20. Krieger, Elliot, "A Marxist Study of Shakespeare’s Comedies" (1979), Macmillan
  21. Marshall, David, "Exchanging Visions: Reading A Midsummer Night’s Dream, In Modern Critical Interpretations", pp.87~116 (1986), Chelsea House
  22. Montrose, Louis A., "A Kingdom of Shadows, In A Midsummer Night’s Dream Critical Essays", pp.217~240 (1989), Garland Publishing
  23. Neumann, Erich, "The Origins and History of Consciousness" (1974), Princeton UP
  24. Nevo, Ruth, "Fancy’s Images, In Modern Critical Interpretations", pp.57~72 (1986), Chelsea House
  25. Ross, Joanna, "What Can a Heroine Do? or Why Women Can’t Write, In Images of Women in Fiction" (1972), Bowling Green State Univ Popular P
  26. White, R. S., "Let Wonder Seem Familiar" (1985), Athlone
  27. Wild, Henry Douglas, "Shakespeare Prophet For Our Time" (1972), Theosophical Publishing House

이 간행물의 다른 논문 (9건)