가부장적 관점에서 본 셰익스피어의 『좋으실 대로』
Shakespeare’s As You Like It from the Patriarchal Viewpoint
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Recently As You Like It has been studied mainly from a feminist viewpoint which focused on Rosalind’s love and marriage. However, this viewpoint just covers part of the play. So this article aims to analyse men’s world from the patriarchal viewpoint. This play deals with brothers’ relationships which are extended to their fathers. Sons are under their fathers’ influence by which they can develop their own identities. And they also change and grow into better sons by their symbolic fathers: Orlando by old Adam and the Senior Duke, Oliver by the Senior Duke, and Frederick by an old religious man of the Forest of Arden. Women are also under the influence of their fathers. However, they are a little different from men. Women choose their future spouse instead of their father. Rosalind’s disguise as a man can control and dominate Orlando. When she takes off her disguise for her marriage, she loses her power and domination over Orlando, and becomes a traditional woman who obeys her husband. After marriage, however, Orlando gets social position and political power due to his father-in-law, the Senior Duke. Their unions as men will be stronger than before. At the end of the play, their problems are solved and the order of their society is restored by the Senior Duke and Orlando. The marriages and festive mood mean that the patriarchal society is firmly and successfully reestablished by men.
Abstract
Recently As You Like It has been studied mainly from a feminist viewpoint which focused on Rosalind’s love and marriage. However, this viewpoint just covers part of the play. So this article aims to analyse men’s world from the patriarchal viewpoint. This play deals with brothers’ relationships which are extended to their fathers. Sons are under their fathers’ influence by which they can develop their own identities. And they also change and grow into better sons by their symbolic fathers: Orlando by old Adam and the Senior Duke, Oliver by the Senior Duke, and Frederick by an old religious man of the Forest of Arden. Women are also under the influence of their fathers. However, they are a little different from men. Women choose their future spouse instead of their father. Rosalind’s disguise as a man can control and dominate Orlando. When she takes off her disguise for her marriage, she loses her power and domination over Orlando, and becomes a traditional woman who obeys her husband. After marriage, however, Orlando gets social position and political power due to his father-in-law, the Senior Duke. Their unions as men will be stronger than before. At the end of the play, their problems are solved and the order of their society is restored by the Senior Duke and Orlando. The marriages and festive mood mean that the patriarchal society is firmly and successfully reestablished by men.
참고문헌 (15)
- 공성욱, "『좋으실대로』: 또 하나의 문제극?--극의 시작과 끝에 대한 의문 혹은 새로운 이해--", Shakespeare Review, 40(4), pp.687~707 (2004), 한국셰익스피어학회
- 김경혜, "『한여름 밤의 꿈』(A Midsummer Night's Dream)에 나타난 가부장적 통치수단으로써 시각의 의미", Shakespeare Review, 49(3), pp.399~423 (2013), 한국셰익스피어학회[DOI]
- 김성환, "셰익스피어의 희극에 나타난 가부장제의 억압과 그 극복의 전망", 박사, 영어영문학, pp.2000
- Bono, Barbara J., "Modern Critical Interpretations: William Shakespeare’s As You Like It", pp.131~149 (1988), Chelsea House Publishers
- Carlson, Susan, "Women and Comedy: Rewriting the British Tradition" (1994), U of Michigan P
- Colie, Rosalie., "Modern Critical Interpretations: William Shakespeare’s As You Like It", pp.47~62 (1988), Chelsea House Publishers
- Dreher, Diane Elizabeth, "Domination & Defiance: Fathers & Daughters in Shakespeare" (1986), UP of Kentucky
- Erickson, Peter., "Modern Critical Interpretations: William Shakespeare’s As You Like It", pp.113~130 (1988), Chelsea House Publishers
- Evans, Bertrand, "Shakespeare’s Comedies" (1967), Oxford UP
- Kahn, Coppelia, "Man’s Estate: Masculine Identity in Shakespeare" (1982), U of California P
- McFarland, Thomas, "Modern Critical Interpretations: William Shakespeare’s As You Like It", pp.23~46 (1988), Chelsea House Publishers
- Montrose, Louis Adrian, "Modern Critical Interpretations: William Shakespeare’s As You Like It", pp.81~130 (1988), Chelsea House Publishers
- Nevo, Ruth, "Modern Critical Interpretations: William Shakespeare’s As You Like It", pp.63~80 (1988), Chelsea House Publishers
- Weedon, Chris, "포스트구조주의와페미니즘 비평" (1994), 한신문화사
- Williamson, Marilyn L., "The Patriarchy of Shakespeare’s Comedies" (1986), Wayne State UP
