懶婦를 모티프로 한 한국 한시와 국문가사의 대비적 고찰

Abstract

A Comparison of Korean Sino-Poetry and Korean Gasa based on the Motif of Nabu(lazy woman) The appearance and development of Korean sino-poetry based on the motif of Nabu(lazy woman) proceeded through the attitude of viewing them with compassion and the reflection of their sorrowful mood. Also, Korean sino-poetry based on the motif of Nabu(lazy woman) before the 18th century stressed sorrowful and melancholy mood of women. However, this literary phenomenon does not properly reflect the social consciousness of the writers but was a result of the writers’ intention to create the poetic atmosphere similar to akbu style. From the 18th century, however, the aspect of Korean sino-poetry with the motif of Nabu(lazy woman) turns into the direction of emphasizing the negative sides of Nabu(lazy woman). This can be seen as a result of the social change in the late Joseon era, when regulations and rules of Confucian patriarchy got deeply entrenched. So from the 18th century, the literary archetype that emphasizes the negative aspects of Nabu(lazy woman) was settled in the historical flow of Korean sino-poetry. In this background, <Nabupyun> by Soogeum Park(1629~1698), which multi-dimensionally portrayed the inner side of the characters by actively utilizing the dialogue of mother-in-law and daughter-in-law, and <Nabubu> by Hakgyu Lee(1770~1835), which depicted the various aspects of an ugly and lazy woman in a realistic and lively way, are outstanding in their originality and literary value. <Nabuga>, a work of Korean gasa which seems to have been written after the 18th century, should be understood in the historical context of Korean sino-poetry. <Nabuga> naturally accepted the literary archetype that was generalized in the history of Korean sino-poetry after the 18th century. If such literary correlation is considered, various literary meanings, which were revealed through detailed analysis of <Nabuga> in the previous studies, are likely to be illuminated in more various and complete ways.