포스트 아포칼립스의 상상력 : 장우재 연출 세계의 변곡점과 연극 ‘너머’의 연극

Abstract

This article discusses the evolution of Jang Woo-jae's work against the backdrop of the “Blacklist”, “Me Too”, and the “COVID-19 pandemic”, examining their impact on the creative team's perspective, production environment, and societal trends. It explores the shift towards envisioning narratives that transcend traditional human perspectives. The main subjects of discussion are science fiction plays such as Sitting in a Room (2020, 2021) and A·I·R (2022, 2023), which aim to depict a perspective beyond humanity. These works are set in the near future and illustrate how technological advancements redefine human life while also reflecting on human limitations. Sitting in a Room portrays an isolated individual finding solace through digital communication with a deceased family member who has been datafied after death. A·I·R delves into themes of post-disaster life and solidarity, exploring interactions with other species and emphasizing healing through communication. Jang Woo-jae imagines a post-disaster world amidst the Anthropocene crisis, advocating for mutual recognition and solidarity by incorporating diverse species onto the stage. However, alongside the innovative aspects and achievements of these new plays, there is a call for deeper scrutiny of the scientific theories embodied within them and the director's worldview, ensuring their effectiveness in engaging and persuading theater audiences. Furthermore, expanding the discourse to include themes of disturbance, subversion, and the integration of diverse species/entities could enrich the exploration of life after disaster.