아메리칸 뉴 시네마에 나타난 의상에 관한 연구 - <이지라이더(1969)>를 중심으로 -
A Study on the Costume expressed in the American New Cinema - focused on <Easy Rider(1969)> -
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Fashion style in movies delivers their image the atmosphere and becomes the means for containing the personality, spiritual world and inner thinking the characters in the movies and including its plot.When the American new cinema emerged in late 1960's and early 1970's in the American movie history, the new left wing which wants to overturn adult generation and the hippie culture which wants to escape from an existing system also emerged.Therefore, this study analyzed the fashion style in the movie 'Easy Rider (1969)', i.e. the representative new American movie which showed the isolation from adult generation and negative realities of the American society. From the movie, we can understand the young generation after the Vietnam war, i.e. baby boom generation, pursued the hippie culture as their young culture. With their strong self-consciousness, they formed their own lifestyle and values which are different from those of adult generation, and we can understand clothes were used as a tool to express their value system.
Abstract
Fashion style in movies delivers their image the atmosphere and becomes the means for containing the personality, spiritual world and inner thinking the characters in the movies and including its plot.When the American new cinema emerged in late 1960's and early 1970's in the American movie history, the new left wing which wants to overturn adult generation and the hippie culture which wants to escape from an existing system also emerged.Therefore, this study analyzed the fashion style in the movie 'Easy Rider (1969)', i.e. the representative new American movie which showed the isolation from adult generation and negative realities of the American society. From the movie, we can understand the young generation after the Vietnam war, i.e. baby boom generation, pursued the hippie culture as their young culture. With their strong self-consciousness, they formed their own lifestyle and values which are different from those of adult generation, and we can understand clothes were used as a tool to express their value system.
참고문헌 (41)
- 남후선, "영화로 보는 복식사", pp.6~ (2005), 경춘사
- Ralph Stephenson, "The Cinema as Art", pp.166~167 (1996), 열화당 미술선서
- Lurii Tynianov, "영화의 형식과 기호", pp.249~ (2001), 열린책들
- 박지훈, "영화제작 매스터북", pp.150~ (2006), 책과 길 미디어
- John Belton, "미국영화 미국문화", pp.136~ (2003), 경문사
- 간문자, "저항 패션이 모패션으로 전이된 현상에 관한 연구", 복식, (28), pp.240~ (1996)
- 채금석, "현대복식미학", pp.157~ (1995), 경춘사
- 정흥숙, "서양복식문화사", pp.389~ (1998), 교문사
- 유송옥, "복식문화", pp.232~ (1996), 교문사
- 김형숙, "포스트모더니즘 미술비평론에 관한 연구", 석사, pp.1992
- John Belton, "op.cit., pp.320~323", ~
- "Ibid., pp.318~319", ~
- Thomas Schatz, "할리우드 장르의 구조", pp.420~ (1996), 한나래
- "미국영화협회 MPAA에 대한 별칭으로 MPAA는 1922년데 발족된 영화산업의 자율규제 기관이다. MPAA의 최초 회장인 전 우정장관 Will H Hays의 이름을 본떠서 만들었다", ~
- Susan Hayward, "영화사전", pp.405~ (1998), 한나래
- "회상 잠면이나 상상장면을 표현하기 위해 짧은 프레임을 씬과 씬, 컷과 컷 사이에 끼어 넣는 편집기법", ~
- Susan Hayward, "op.cit., p.79", ~
- 이형, "영화의 이해", pp.285~ (2001), 건국대학교 출판부
- John Belton, "op.cit., p.326", ~
- 민원경, "현대 메이크업에 나타난 문화 스타일 연구", 석사, 예술대학원, pp.2002
- 강은선, "청소년 하위문화패션의 상징성에 관한 연구", 석사, 산업대학원, pp.1995
- 조규화, "패션미학", pp.512~ (2006), 수학사
- 심규희, "앙드레 쿠레주(Andr？ Courr？ges) 디자인에 관한 고찰- 1960년대 디자인을 중심으로 -", 패션 비즈니스, 11(4), pp.52~68 (2007), 한국패션비즈니스학회
- Andrew Tucker, "패션의 유혹", pp.39~ (2005), 예담
- 조규화, "op.cit., p.153", ~ (2006)
- "Ibid., p.517", ~
- Amy de la Haye, "Soulies Skinheads & Skaters" (1996), Victoria & Albert Museum
- "Ibid", ~
- Andrew Tucker, "패션의 유혹", pp.77~ (2005), 예담
- "Ibid., pp.100~101", ~
- Amy de la Haye, "op.cit.", ~ (1996)
- Andrew Tucker, "op.cit., pp.100~101", ~
- "The fashion shop", pp.171~ (2001), Phaidon
- Andrew Tucker, "op.cit., pp,.88~89", ~
- 조규화, "op.cit., pp.221~222", ~ (2004)
- "The fashion shop", pp.382~ (2001), Phaidon
- Andrew Tucker, "op.cit., p.27", ~
- "The fashion shop", pp.88~ (2001), Phaidon
- Amy de la Haye, "op.cit.", ~ (1996)
- 간문자, "1960년대 저항 패션이 민속풍 패션에 미친 영향", 복식, 30, pp.154~ (1996)
- 조규화, "op.cit., pp.510~511", ~ (2004)