The Research of Costume on Shin, Yun-Bok's Painting in Late Chosun Dynasty
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The Hanryu(韓流) phenomenon in and around Asia looks like slowing down lately. At that time, the research about contents that can inform the high traditional culture of Korea is useful. The references which can make a study about cultural clothes, especially paintings, let us to infer the life of the people of that period. In this research, I try to study the characteristics of customs, symbol and costumes by analyzing the paintings of Shin, Yun- Bok who was genre painter of the late Chosun. The mens are wearing dopo(道袍) and are putting sejodae(細條帶) around their waists and gat(黑笠). Also, We can see many different types of job such police, official man, a buddhist priest, a barmair, kisaeng and shaman through the costume. Most of women in the paintings, They are wearing Deep blue skirts, banhwoejang pale tone jeogori and tress. We discussed the common lives of the people through genre painting. They have satire, humor, and symbolism. Also, we can look into the various lifestyles, customs of times and seasons, ceremonial occasions, civilian beliefs, and plays transmitted from the past. The philosophy in Shin, Yun- Bok's genre painting, is close to Taoism not Confucianism.
Abstract
The Hanryu(韓流) phenomenon in and around Asia looks like slowing down lately. At that time, the research about contents that can inform the high traditional culture of Korea is useful. The references which can make a study about cultural clothes, especially paintings, let us to infer the life of the people of that period. In this research, I try to study the characteristics of customs, symbol and costumes by analyzing the paintings of Shin, Yun- Bok who was genre painter of the late Chosun. The mens are wearing dopo(道袍) and are putting sejodae(細條帶) around their waists and gat(黑笠). Also, We can see many different types of job such police, official man, a buddhist priest, a barmair, kisaeng and shaman through the costume. Most of women in the paintings, They are wearing Deep blue skirts, banhwoejang pale tone jeogori and tress. We discussed the common lives of the people through genre painting. They have satire, humor, and symbolism. Also, we can look into the various lifestyles, customs of times and seasons, ceremonial occasions, civilian beliefs, and plays transmitted from the past. The philosophy in Shin, Yun- Bok's genre painting, is close to Taoism not Confucianism.
참고문헌 (9)
- "<Fig. 1>-<Fig. 11> are providing by Kansong Art Museum for study", ~
- Min Boungsam, "Haewon Shin, Yun- bok", pp.18~35 (2006), Petepan Publishing Co.
- Cho Koohwa, "Esthetic of Fashion", pp.321~ (2005), Soohak Publishing Co.
- Yoo Heekyoung, "The History of Costume and Culture in Korea", pp.327~330 (2000), Kyomoon Publishing Co.
- Lee Moonsung, "The Reconstruction of customs", pp.21~25 (2008), Information and Study in Korea Publishing Co.
- Kim Jungja, "The Research of Military Uniform's History in Korean", pp.298~303 (1998), Minsokwon Publishing Co.
- Yoo Heekyoung, "The history of Korean Costume", pp.223~224 (2000), Kyomunsa
- Kwon Ohchang, "Korean Costumes during the Chosun Dynasty", pp.90~ (2004), Hyunam Publishing Co.
- Kim Eunjung, "Korean Costume of Shaman", pp.298~303 (2004), Minsokwon Publishing Co.