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일본 근세의 색채 문화 - 에도(江戶) 시대를 중심으로 -

Color Culture of Japanese Modern Age - Focussed on Edo Period -

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초록

Japan has several unique traditional colors. The traditional colors of Japan include a collection of colors used in traditional Japanese literature, textiles such as the kimono, and other Japanese arts. Japanese color system has a long history, leading to some consistencies in color and naming. During the Edo period(1603~1867), the unique color sense of ‘iki’ produced many color names that are often related to mouse(nezumi) and tea(cha), and fashion color originated as kabuki actors. As for colors named after animals, the most popular appears to be the mouse, which is used to express grey tones. Recently, many fashion companies in Japan have been working on reviving an interest in traditional Japanese colors. Ordinary people of Edo named even slightly different color tones, each with individual exquisite and mind valuing ‘iki’ senses. They translated these into their livelihood and culture. The colorimetry result of 49 restored dyed fabrics were as follows; Hue difference was 7.8, value difference was 2.9, chroma difference was 1.8 of prefix siro. Hue difference was 3.8, value difference was 1.6, chroma difference was 1.7 of prefix usu. Hue difference was 3.5, value difference was 1.5, chroma difference was 1.4 of prefix cha. Hue difference was 6.4, value difference was 1.1, chroma difference was 1.6 of prefix koi. Hue difference was 7.5, value difference was 0.8, chroma difference was 3.3 of prefix nezumi.

Abstract

Japan has several unique traditional colors. The traditional colors of Japan include a collection of colors used in traditional Japanese literature, textiles such as the kimono, and other Japanese arts. Japanese color system has a long history, leading to some consistencies in color and naming. During the Edo period(1603~1867), the unique color sense of ‘iki’ produced many color names that are often related to mouse(nezumi) and tea(cha), and fashion color originated as kabuki actors. As for colors named after animals, the most popular appears to be the mouse, which is used to express grey tones. Recently, many fashion companies in Japan have been working on reviving an interest in traditional Japanese colors. Ordinary people of Edo named even slightly different color tones, each with individual exquisite and mind valuing ‘iki’ senses. They translated these into their livelihood and culture. The colorimetry result of 49 restored dyed fabrics were as follows; Hue difference was 7.8, value difference was 2.9, chroma difference was 1.8 of prefix siro. Hue difference was 3.8, value difference was 1.6, chroma difference was 1.7 of prefix usu. Hue difference was 3.5, value difference was 1.5, chroma difference was 1.4 of prefix cha. Hue difference was 6.4, value difference was 1.1, chroma difference was 1.6 of prefix koi. Hue difference was 7.5, value difference was 0.8, chroma difference was 3.3 of prefix nezumi.

참고문헌 (12)

  1. Ebata, J., "Origin of Color Name" (1982), Tokyoshoseki
  2. Hukuda, K., "Japanese Traditional Color" (2009), Tokyobijutu
  3. Katsumi N., "Japanese Traditional Color through History" (2007), PHP
  4. "KOSODE: HAUTE COUTURE KIMONOS OF THE EDO PERIOD", Matyzakaya Kyoto Senshoku Sankoukan, ~ (2008)
  5. 이경희, "일본 기모노 의장(意匠)의 변천", 한국의류산업학회지, 13(1), pp.32~43 (2011), 한국의류산업학회
  6. 이경희, "일본 헤이안시대(平安時代)의 색채문화", 한복문화, 18(2), pp.63~76 (2015), 한복문화학회[DOI]
  7. 이경희, "일본 중세의 색채 문화: 가마쿠라 · 무로마치 시대를 중심으로", 패션 비즈니스, 19(1), pp.95~105 (2015), 한국패션비즈니스학회[DOI]
  8. Matsumoto, S., "Great Color Book of Japan" (1993), Gashutushoboshinsha
  9. Nagasaki, S., "Japan History of Color․ Painting" (1990), Dankyosha
  10. Nagasaki, I., "KOSODE" (1993), Kyotoshoin
  11. Takashima, H., "Decoration of Edo" (1973), Higashiya
  12. Yoshioka, S., "Japanese Color Dictionary" (2009), Shikosha

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