팀 버튼 감독의 판타지 영화 『이상한 나라의 앨리스』의 스토리 전개구조에 따른 의상색채 연구
Costume Colors Follow Story Structure on Fantasy Film 『Alice in Wonderland』by Tim Burton
0
조회
0
다운로드
5
인용
0
참고문헌
키워드
초록
This study investigated the colors of the costumes and backgrounds of characters in the fantasy film, Alice in Wonderland(2010) by Tim Burton. The methods used were literature studies including related books, articles and internet materials, and positive research with DVD color analysis. Twenty-one scenes were selected by the researcher. Five scenes were selected from novel and film components representing, exposition, complication, crisis, climax, and denouement. After controlled pixel by photoshop program and the represented colors, hues and tones were analyzed. The results were as follows; First, in four characters, Alice's dress colors changed depend on the situation and the passage offered from blue to red, metal light, and blue green. The Mad Hatter's colors were orange with green which signified madness and passion. The Red Queen's red dress and blue make up represented countrified and evil. The White Queen's all white dress and hair, black eyes and vivid red meant purity and nobility. Similar characters' colors were limited. Second, the background colors , especially tones were an important component of the fantasy image. These were different for each type of scene in the film such as exposition, complication, crisis, climax, and denouement.
Abstract
This study investigated the colors of the costumes and backgrounds of characters in the fantasy film, Alice in Wonderland(2010) by Tim Burton. The methods used were literature studies including related books, articles and internet materials, and positive research with DVD color analysis. Twenty-one scenes were selected by the researcher. Five scenes were selected from novel and film components representing, exposition, complication, crisis, climax, and denouement. After controlled pixel by photoshop program and the represented colors, hues and tones were analyzed. The results were as follows; First, in four characters, Alice's dress colors changed depend on the situation and the passage offered from blue to red, metal light, and blue green. The Mad Hatter's colors were orange with green which signified madness and passion. The Red Queen's red dress and blue make up represented countrified and evil. The White Queen's all white dress and hair, black eyes and vivid red meant purity and nobility. Similar characters' colors were limited. Second, the background colors , especially tones were an important component of the fantasy image. These were different for each type of scene in the film such as exposition, complication, crisis, climax, and denouement.
참고문헌 (26)
- Aikens, K., "How Wanderer Alice Became Warrior Alice, And Why", Bitch Magazine : Feminist Response To Pop Culture, 48, pp.26~31 (2010)
- Arcus, D., "Vulnerability and Eye Color in Disney Cartoon Characters, Perspectives on behavioral inhibition" (1989), Univ. of Chicago Press
- Burton, T., "Alice in wonderland" (2010), Walt Disney Studios Home Entertainment
- Callen, J. C., "Impossible Things : An Investigation of Madness as Resistance in Tim Burton's Alice in Wonderland", Administrative Theory & Praxis, 34(1), pp.120~124 (2012)
- Edelstein, D., "Welcome to the Fun House", 8~ (2010)
- Frankel, V. E., "Clothes Make the Girl : Fashion and Growing Pains in Wonderland, Inhabited by Stories, Critical Essays on Tales Retold, Newcastle upon Tyne" (2012), Cambridge Scholars
- "Disney’s Alice in Wonderland Films: An Annotated Bibliography" (2014)[URL]
- Kelsey, J., "Lost in Space", Artforum international, 5, pp.95~96 (2010)
- 김장현, "영화 '이상한 나라 앨리스'의 영화의상에 나타난 환상성의 표현 유형에 관한 연구- 문학적 환상성 이론을 중심으로 -", 한국의류산업학회지, 16(1), pp.26~34 (2014), 한국의류산업학회
- 김미영, "영화속에 나타난 색채 이미지연구 - 위대한 개츠비의 영화의상과 배경을 중심으로 -", 패션과 니트, 12(2), pp.37~45 (2014), 한국니트디자인학회
- 김수경, "『이상한 나라의 앨리스』에 나타난 여성 영웅 캐릭터의 신화적 특성과 의상", 한국디자인포럼, (42), pp.17~32 (2014), 한국디자인트렌드학회
- Kim, Y, "Film Costume Design" (2009), Communication Books
- 이희승, "<위대한 개츠비>의 영화의상과 콜라보레이션 연구", 패션 비즈니스, 18(4), pp.80~96 (2014), 한국패션비즈니스학회[DOI]
- 이지영, "팀 버튼 (Tim Burton)감독 영화 속 캐릭터 메이크업의 조형적 특성에 관한 연구", 한국미용학회지, 20(1), pp.119~126 (2014), 한국미용학회
- 이진경, "'콰드로페니아(Quadrophenia, 1979)' 영화의상에 나타난 모즈스타일", 한국패션디자인학회지, 14(3), pp.85~100 (2014), 한국패션디자인학회
- 이우연, "영화의상에 나타난 색채 이미지 분석 -장예모 감독의 영화를 중심으로-", 디자인지식저널, (30), pp.253~267 (2014), 한국디자인지식학회
- "In So Many Wonderlands" (2010)[URL]
- "Half a Wonderland: Burton Version Catches Look, Fumbles Spirit; in 'Finest,' Cops Moan" (2010)[URL]
- Mullen, L., "Alice in Wonderland", Sight & Sound, 20(5), pp.50~ (2010)
- Niemiec, R. M., "A Wonderland Journey Through Positive Psychology Interventions", PsycCRITIQUES, 55, pp.31~ (2010)
- 박진수, "영화의상에 표현된 색의 심상(心象)과 서사(敍事)적 상징성의 해석 - 이미지스케일의 효용과 한계에 관하여 -", 한국색채학회논문집, 28(1), pp.229~239 (2014), 한국색채학회[DOI]
- Ross, D., "Escape from Wonderland : Disney and Female Imaginations : Journal of Fairy-Tale", Marvel & Tale Studies, 18(1), pp.53~66 (2004)
- Siemann, C., "But I'm Grown Up Now : Alice in the Twenty-First Century", Neo-Victorian Studies, 5(1), pp.175~201 (2012)
- Wloszczyna, S., "Alice‘s World Looks Curiouser", USA Today, ~ (2010)
- 양정희, "영화 <박쥐>, <마더>의 색채 이미지 연구 - 의상과 배경을 중심으로 -", 패션 비즈니스, 15(5), pp.144~160 (2011), 한국패션비즈니스학회
- 양윤정, "팀 버튼의 영화 <이상한 나라의 앨리스>에 나타난 통과제의 구조", 동화와 번역, (20), pp.171~197 (2010), 동화와번역연구소