본문 바로가기
KERD
논문KCI 등재

뮤지컬 <록키 호러 쇼>에 나타난 캠프 스타일의 특성과 그레마스 기호학적 의미 분석

Analysis of Camp style characteristics and Greimas semiotic meaning in the musical The Rocky Horror Show

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류생활과학

초록

This study explored characteristics of Camp style as presented in the musical The Rocky Horror Show, analyzing its symbolic meanings through the lens of Greimas' semiotic square model. Camp style, known for its exaggerated expressions, irony, and fluid gender representations, plays a central role in challenging traditional gender norms and cultural binaries. This study begins by outlining the significance of The Rocky Horror Show in musical theater and pop culture, highlighting its impact on fashion and art. Through character and costume analysis, this paper examined four key features of Camp style: symbolism, gender fluidity, playfulness, and theatricality. The semiotic square model was applied to deconstruct complex relationships between these features, particularly focusing on contradiction and opposition. Research findings demonstrated how Camp's symbolic elements in costume design interacted with the narrative and character identities to convey deeper cultural and social meanings. This analysis provides insights into how Camp style functions as both a visual and cultural critique within the framework of the musical.

Abstract

This study explored characteristics of Camp style as presented in the musical The Rocky Horror Show, analyzing its symbolic meanings through the lens of Greimas' semiotic square model. Camp style, known for its exaggerated expressions, irony, and fluid gender representations, plays a central role in challenging traditional gender norms and cultural binaries. This study begins by outlining the significance of The Rocky Horror Show in musical theater and pop culture, highlighting its impact on fashion and art. Through character and costume analysis, this paper examined four key features of Camp style: symbolism, gender fluidity, playfulness, and theatricality. The semiotic square model was applied to deconstruct complex relationships between these features, particularly focusing on contradiction and opposition. Research findings demonstrated how Camp's symbolic elements in costume design interacted with the narrative and character identities to convey deeper cultural and social meanings. This analysis provides insights into how Camp style functions as both a visual and cultural critique within the framework of the musical.

참고문헌 (29)

  1. Campos, M. S., "Weh, talaga?! camp, queer body, and the posthuman", Critical Research on Religion, 12, pp.337~349 (2024)[DOI]
  2. Chatzipapatheodoridis, C., "A history of camp from christopher Isherwood to the met gala", Gramma : Journal of Theory and Criticism, 26, pp.7~26 (2019)[DOI]
  3. Corso, J. J., "What does Greimas’s semiotic square really do?", Mosaic : An Interdisciplinary Critical Journal, 47(1), pp.69~89 (2014)[DOI]
  4. Crookston, C., "Can I be frank with you? Laverne cox and the historiographic dramaturgy of the rocky horror picture show", GLQ : A Journal of Lesbian and Gay Studies, 27(2), pp.233~252 (2021)[DOI]
  5. "Eddie" (2016)[URL]
  6. Everquill, L., "Divorced, beheaded, defied : Solidarity in individual and collective herstories in SIX the Musical", Studies in Theatre and Performance, 44(1), pp.165~173 (2024)[DOI]
  7. Greimas, A., "Figurative semiotics and the semiotics of the plastic arts", New Literary History, 20(3), pp.627~649 (1989)[DOI]
  8. Greimas, A., "The cognitive dimension of narrative discourse", New Literary History, 20(3), pp.563~579 (1989)[DOI]
  9. Inchley, M., "‘Mr. blue sky’ in the west end : Becoming musical in our ladies of perpetual succour", Contemporary Theatre Review, 32(2), pp.162~176 (2022)[DOI]
  10. "Janet Weiss" (2016)[URL]
  11. Kim, S., "The discuss on the expanded cinema of"the rocky horror picture show"’s performance", Film Studies, 61, pp.63~92 (2014)[DOI]
  12. Lee, H., "A study on comedy <the wedding day>'s stage costume design : Focused on the comedy", Journal of the Korean Society of Costume, 62(2), pp.40~54 (2012)[DOI]
  13. Lee, J., "A study on the generative structure of the meaning and the binary-opposition in the convergence of fashion design and technology as a emotional method : Focused on fashion design collections", Journal of the Korean Society of Costume, 63(7), pp.134~147 (2013)[DOI]
  14. Lisecka, M., "Notes on le grand macabre and the aesthetics of camp", Studia Universitatis Babes-Bolyai, 69(2), pp.25~35 (2024)[DOI]
  15. Murphy, N., "Camp comedy and"Submerged Trouble" : Molly Keane's queer collaborations", English Studies, 104(6), pp.1097~1117 (2023)[DOI]
  16. Normandin, S., "Squaring"The rhetoric of temporality" : Greimassian semiotics and de Manian deconstruction", Sign Systems Studies, 51(3), pp.538~564 (2023)[DOI]
  17. Paik, H., "A study of the formative characteristics and meaning in contemporary fashion subculture using the greimas semiotic square", Journal of the Korean Society of Costume, 67(8), pp.80~99 (2017)[DOI]
  18. "Riff Raff" (2022)[URL]
  19. Roach, J., ""Don’t dream it, be it" : The rocky horror picture show’s impact on queer communities in the 1970s", Rushton Journal of Undergraduate Humanities Research, 1(1), pp.1~12 (2024)
  20. "Rocky" (2024)[URL]
  21. Schoch, H., "Grasping the complicity and multiplicity of hamilton : An american musical : Genre circulation and the politics of pop culture pedagogy", European Journal of American Studies, 18(1), pp.1~18 (2023)[DOI]
  22. "Semiotic Square" (2022)[URL]
  23. Shiller, R. S., "A critical exploration of cross-dressing and drag in gender performance and camp in contemporary north American drama and film", doctor, pp.2000
  24. Shin, M., "Semantic analysis on change of deconstructive fashion design from a semiotic perspective", Journal of The Korean Society of Fashion Design, 20(4), pp.113~129 (2020)[DOI]
  25. Shirland, J., "'A singularity of appearance counts doubly in a democracy of clothes' : Whistler, fancy dress and the camping of artists' dress in the late nineteenth century", Visual Culture in Britain, 8(1), pp.15~35 (2007)
  26. Sontag, S., "Against interpretation and other essays" (1990), Anchor Books
  27. Yoo, H., "Alessandro michele’s camp aesthetics in the gucci collection : Based on the david bergman’s classification", Journal of Fashion Design, 20(2), pp.103~120 (2020)[DOI]
  28. Yum, H., "A study of fashion style of american sub-cultural style in the late 1980s expressed in stage costumes of musical ‘rent’", Journal of the Korean Society of Design Culture, 17(1), pp.304~318 (2011)

관련 논문AI추천

이 간행물의 다른 논문 (10건)