루돌프 아른하임의 시지각에 따른 창살문양의 조형성 연구

Abstract

The purpose of this study is in searching for possibility of design development according to cultural identity from lo oking for formative characteristics of lattice patterns of Cha ngdeok Palace based on visual perception theories of Rudolf Arnheim. Changdeok Palace as the study target is a world heritage site designated by UNESCO. The traditional lattice patterns are diverse too. The analysis result from classifyin g the patterns into four items such as dynamics, spatiality, similarity, and continuity among visual perception characteri stics is like the next. First, dynamics of the Lattice patterns were maximized by visual perception characteristics such as slope by diagonal lines of comb patterns and circulation of organic forms of bitwanjasal lattice patterns. Second, spatial ity was strengthened by overlap of lines and surfaces in sos eulbit kkotsal patterns. Ajasal patterns acted as a factor to increase spatiality by optical illusion. Third, about similarity, overall unity was taken from similarity of shapes and locati ons of yongjasal patterns. Ttisal patterns acted as a formati ve element to heighten a sense of balance from similarity of shapes and directions. Fourth, continuity acted to be perceiv ed to look like bring lattice together by the directional natur e of jungjasal patterns. In wanjasal patterns, continuity by rhythm acted as a factor to stimulate sight. Like these, the way Changdeokgung lattice pattern structured is based on the Visual Perception Theory. In result, if the brand design develops in a way the cultural identity as collateral on the basis of the lattice pattern motif with the Visual Perception Theory, it will be surely raise customer satisfaction.