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2000년 이후 한국 남녀 패션 잡지에 표현된 여성성과 남성성에 관한 연구- 포카다트, 스트라이프, 체크 문양을 중심으로 -

A Study of Femininity and Masculinity Represented in Men's and Women's Fashion Magazine in Korea since 2000

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주제분류생활과학

초록

The purpose of this study is to typify femininity and masculinity represented in mainstream women's and men's fashion magazines in Korea since 2000 and infer sexual ideology appearing in contemporary Korean society by content analysis with the view of plural sexuality. For the content analysis total 259 editorial fashion photography was analyzed. As the result, 5 femininities and 5 masculinities were typified, and then sexual discourse was inferred out of the frequency of each type and texts with the images. On the basis of previous studies and historical considerations of this topic, the types of sexuality represented in mainstream fashion magazines in Korea since 2000 were classified as follow.: in women's fashion magazines Traditional Femininity and Androgynous Femininity were almost similarily dominant sexuality, and Glamor Femininity, Babydoll Femininity, and Genderless sexuality were alternative. Meanwhile, in men's fashion magazines Traditional Masculinity formed clear dominant sexuality, and Macho Masculinity, Androgynous Masculinity, Adolescent Masculinity, and Genderless sexuality were alternatives. In addition, Androgynous Masculinity in women's fashion magazines occupied the highest frequency, while Glamor Femininity in men's fashion magazines did so. From this sexual discourses represented in mainstream fashion magazines in Korea since 2000 are as follow.: First, mainstream fashion in Korea sticks to the modern values preserving traditional sexual ideology even in this postmodern period of the former 21C. Second, Androgynous Femininity as another dominant femininity with Traditional Femininity connotes the change of conception of femininity in Korean society. Third, Androgynous Masculinity to females is preferred, while femininity to males is still regarded as fetish or adorned object. Fourth, the appearance of various alternative sexualities leads to pluralization of sexuality, and then fashion gradually codifies youthfulness and feminine values, such as body and sexual desire more than before.

Abstract

The purpose of this study is to typify femininity and masculinity represented in mainstream women's and men's fashion magazines in Korea since 2000 and infer sexual ideology appearing in contemporary Korean society by content analysis with the view of plural sexuality. For the content analysis total 259 editorial fashion photography was analyzed. As the result, 5 femininities and 5 masculinities were typified, and then sexual discourse was inferred out of the frequency of each type and texts with the images. On the basis of previous studies and historical considerations of this topic, the types of sexuality represented in mainstream fashion magazines in Korea since 2000 were classified as follow.: in women's fashion magazines Traditional Femininity and Androgynous Femininity were almost similarily dominant sexuality, and Glamor Femininity, Babydoll Femininity, and Genderless sexuality were alternative. Meanwhile, in men's fashion magazines Traditional Masculinity formed clear dominant sexuality, and Macho Masculinity, Androgynous Masculinity, Adolescent Masculinity, and Genderless sexuality were alternatives. In addition, Androgynous Masculinity in women's fashion magazines occupied the highest frequency, while Glamor Femininity in men's fashion magazines did so. From this sexual discourses represented in mainstream fashion magazines in Korea since 2000 are as follow.: First, mainstream fashion in Korea sticks to the modern values preserving traditional sexual ideology even in this postmodern period of the former 21C. Second, Androgynous Femininity as another dominant femininity with Traditional Femininity connotes the change of conception of femininity in Korean society. Third, Androgynous Masculinity to females is preferred, while femininity to males is still regarded as fetish or adorned object. Fourth, the appearance of various alternative sexualities leads to pluralization of sexuality, and then fashion gradually codifies youthfulness and feminine values, such as body and sexual desire more than before.

참고문헌 (14)

  1. 정선, "빅토리아시대 유행 복식과 반유행 복식 운동에 나타난 여성성과 인체미에 관한 연구 (Ⅰ)", 복식, 51(2) (2001)
  2. 김정선, "빅토리아시대 유행 복식과 반유행 복식 운동에 나타난 여성성과 인체미에 관한 연구 (Ⅱ)", 복식, 51(6) (2001)
  3. 김은희, "복식에 표현된 여성의 몸 이미지", 박사, pp.2002
  4. 도희, "뮤직비디오 의상에 나타난 남성 이미지 연구", 복식, 54(3), pp.27~42 (2004), 한국복식학회
  5. 송명진, "현대 남성 패션에 나타난 성 정체성의 표현양상", 복식, 25(2) (2001)
  6. 안소현, "20세기 후반 패션에 나타난 성개념 변화추이 분석", 한국의류학회지, 24(5) (2000)
  7. 이민선, "남성 패션에 표현된 성적 이미지에 관한 연구-19세기 중반 이후를 중심으로-", 복식, 23(6) (1999)
  8. 최 경 희, "Foucault의 후기구조주의적 시각에서 본 19세기 패션에 표현된 성- 19세기 중?후반 남녀 주류 패션과 반패션에 나타난 여성성과남성성을 중심으로 -", 복식문화연구, 15(2), pp.232~251 (2007), 복식문화학회
  9. 최현숙, "패션에 표현된 전통적, 페미니즘, 포스트모던 페미니즘 여성성에 관한 연구", 박사, pp.2000
  10. Foucault, Michel, "性의 歷史-제 1권 앎의 의지" (1997), 나남출판
  11. Hall, Stuart, "Representation: Representations and Signifying Practice" (1997), Sage
  12. Hollander, Anne, "Sex and Suits" (1995), Kodansha International
  13. Rubinstein, Ruth P., "Dress Codes: Meanings and Messages in American Culture" (1995), Westview press
  14. Tseëlon, Efrat, "The Masque of Femininity: The Presentation of Woman in Everyday Life" (1995), Sage publications

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