아프리칸-아메리칸 헤어 스타일에 나타난 이데올로기
The Ideologies Expressed on African-American Hair-styles
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
The purpose of this study is to research the ideologies of African-American hair-styles according to cultural phenomena. This is a qualitative research using the books and theses about society, culture, hair and beauty, and materials of internet. The results are; Firstly, African-Americans are citizens or residents of the United States who have origins in any of the black populations of Africa. About 75 percent of the dark-skinned people on this continent have hair labeled "kinky". Secondly, African hair-styles expressed Supernaturalism and Traditionalism in the formative period of African culture. African-American hair-styles reflected Colonialism in the period of slaves. African-American citizen's hair-styles showed Nationalism after 1960s' Black Pride Movement in the period of settlement in America, and expressed De-territorialism since the boom of 1970s' Reggae. Today, the wearing of dreadlocks, cornrows, and afros has transcended racial and religious barriers. No longer necessarily reflections of ancient traditions and cultural identification, they are just as often fashion items.
Abstract
The purpose of this study is to research the ideologies of African-American hair-styles according to cultural phenomena. This is a qualitative research using the books and theses about society, culture, hair and beauty, and materials of internet. The results are; Firstly, African-Americans are citizens or residents of the United States who have origins in any of the black populations of Africa. About 75 percent of the dark-skinned people on this continent have hair labeled "kinky". Secondly, African hair-styles expressed Supernaturalism and Traditionalism in the formative period of African culture. African-American hair-styles reflected Colonialism in the period of slaves. African-American citizen's hair-styles showed Nationalism after 1960s' Black Pride Movement in the period of settlement in America, and expressed De-territorialism since the boom of 1970s' Reggae. Today, the wearing of dreadlocks, cornrows, and afros has transcended racial and religious barriers. No longer necessarily reflections of ancient traditions and cultural identification, they are just as often fashion items.
참고문헌 (25)
- 김선영, "들뢰즈와 카타리의 리좀 이론에 의한 소수자 관점에서의 장애인 사진 분석", 석사, pp.2010
- 동아출판사 편집부, "동아 신콘사이스 국어사전" (1985), 동아출판사
- 박지향, "제국주의:신화와 진실" (2000), 서울대학교 출판부
- 서일경, "보이지 않는 손에 나타난 흑인정체성", 석사, pp.2010
- 이명희, "기관 없는 신체와 탈영토화 된 패션 사이의 상관관계에 대한 비판적 고찰- 철학적, 사회학적 신체 담론과 욕망이론을 중심으로 -", 복식문화연구, 18(5), pp.824~841 (2010), 복식문화학회
- 이승순, "나이폴의 서구 식민주의와 제3세계 퇴행적 민족주의 비판", 석사, pp.2005
- 장미숙, "드레드락 헤어스타일의 상징성 연구", 한국미용학회지, 16(3), pp.772~778 (2010), 한국미용학회
- 장승진, "공익소송과 인권보호에 관한 연구", 박사, pp.2008
- 조숙진, "어거스트 윌슨의 작품에 나타난 흑인 정체성의 시대적 변화", 박사, pp.2003
- Byrd, A. D, "Hair Story" (2002), St. Martin's Press
- Davies,B.C, "Encyclopedia of the African Diaspora: Origins, Experiences, and Culture" (2008), ABC-CLIO
- Deleuze, G, "A Thousand Plateaus: Capitalism and Schizophrenia" (2000), 연구공간 ‘너머’자료실
- Mcleod,J, "탈식민주의의 길잡이" (2003), 한울아카데미
- Quarles,B, "미국흑인사" (2002), 백산서당
- Seiber, R, "Hair-in African Art and Culture" (2000), The Museum for African Art
- Sherrow,V, "Encyclopedia of Hair-A Cultural History" (2006), Greenwood Press
- Walker,A, "Dreads" (1999), Artisan
- "식민주의" (2011)[URL]
- "아프리카" (2011)[URL]
- "이데올로기"[URL]
- "탈영토" (2010)[URL]
- "African-American" (2009)[URL]
- "Afro" (2009)[URL]
- "Cornrows" (2011)[URL]
- "Dreadlocks" (2009)[URL]
