메를로 퐁티의 ‘몸의 현상학’에 대한 무용의 신체관 연구

Abstract

Concrete experience through dance is experiencing and watching the moving space and developing situation. Such moving space and developing situation are subjective consciousness which we understand vividly through familiar habits or stockpiles. The space given its form through the image of dance is a space with dynamic expression through the dancer. The audience experiences such space through the dancer's performance, and this is changed to movements and expressed through the body with the imagination of a choreographer or a dancer. In the end, it becomes actual and visual. Dance is a combination of fantasy of power, and an art which is continuous in time, creating its own time and space. Now, we have created something completely new and special through our behavior and choice. Like this, a dancer lives in time and space subjectively, empirically, musically, poetically, actually, impractically, intuitively, and imaginatively, accepting and recognizing the body of phenomenon, and the audience exists in time and space with the dancer in moving body of the dancer in a dance work. That is, a living body is not a biological body, but a conscious body pursuing the world, letting us know the formed space about recognition as well as concept of space on the environment, and at the same time, one is able to experience oneself as well as the world through the body of self-recognition. After all, the body of dance is the form and movement existing in the world, showing the existence of body in a bodied world.