<부장양문록>에 나타난 여성영웅서사의 확장과 장편여성영웅소설로의 전개- <이형경전>과의 비교를 중심으로

Abstract

<BooChangYangMunrok> shows the aspect of family fiction by closely inserting the narratives of female heroes, male and female protagonists, and the narratives of same-sex relationships between the two families of Boo and Jang. What we looked at in this Thesis was the epic acceptance aspect of the novel, and among them, we wanted to find out the characteristics of the novel as a full-length female hero novel by examining the elements and associations of the novel. First of all, it was confirmed that the narrative elements used in <LeeHyungKyongjeon> and <BooChangYangMunrok> had a common effect on deepening the main character's self-reflection and concern about his role. In the process of rejecting the main character's women's lives, it is common that the heroine is leading to the development of an epic story in which she wants to reject women's lives and live men's lives from an early age. At every moment of choice and judgment, figures such as fathers and transcendents appear to force and suppress women's lives, so they should also perform their external activities under constant family pressure. In addition, in the <BooChangYangMunrok>, the male protagonist ‘Bugye’ reads poems with the barrier system for the female protagonist or discusses the public affairs of mediation together. It also exerts the help to provide help to accomplish the tasks of coordination. By staying in harmony with ‘YoonSo-jeo’, the element of the discord of wife and concubine which was the main conflict in the <LeeHyungKyongjeon> is rather completely erased. The narrative elements shown in the <BooChangYangMunrok> combine the narrative elements of the female hero novel with the narrative elements of the Korean character feature novel, suggesting the possibility of expanding the narrative in a fractional aspect.