엔토자케 숑가의 남성 인물 읽기: 『사진: 행동하는 연인들』의 션 데이빗
Reading Ntozake Shange’s Male Character: sean david in a photograph: lovers in motion
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Ntozake Shange’s characterization of the black male characters on stage has urged the black male critics to criticize her works as a black feminist’s ruthless and unjustified attack on all black men. Yet a closer look at and reading black male characters in Shange’s a photograph: lovers in action shows that Shange reserves sympathy for them. In a photograph: lovers in motion redefines Shange manhood as jealousy, emotional vulnerability and sensitivity often attributed to female characters. Shange wants the audience to understand black men’s vulnerability is not far from that of black women. Shange believes that with this understanding black men and women are able to work together against racist society that victimizes them both. (Chonbuk National University)
Abstract
Ntozake Shange’s characterization of the black male characters on stage has urged the black male critics to criticize her works as a black feminist’s ruthless and unjustified attack on all black men. Yet a closer look at and reading black male characters in Shange’s a photograph: lovers in action shows that Shange reserves sympathy for them. In a photograph: lovers in motion redefines Shange manhood as jealousy, emotional vulnerability and sensitivity often attributed to female characters. Shange wants the audience to understand black men’s vulnerability is not far from that of black women. Shange believes that with this understanding black men and women are able to work together against racist society that victimizes them both. (Chonbuk National University)
참고문헌 (14)
- Blackwell, Henry, "An Interview with Ntozake Shange", Black American Literature Forum, 13, pp.134~138 (1979)
- Brown-Guillory, Elizabeth, "“Ntozake Shange.” Afro-American Writers After 1955: Dramatists and Pros Writers", pp.240~250 (1985), Gale Research
- Bryer, Jackson R., "The Playwright’s Art: Conversation with Contemporary American Dramatists" (1995), Rutgers UP
- hooks, bell, "Yearning: Race, Gender, and Cultural Politics" (1990), between the lines
- Lee, Catherine Carr, "Ntozake Shange", pp.305~324, Gale Research
- Lester, Neal A., "At the Heart of Shange’s Feminism: An Interview", Black American Literature Forum, 24, pp.717~730 (1990)
- Lester, Neal A., "Shange’s Men: for colored girls Revisited, and Movement Beyond", African American Review, 26, pp.319~328 (1992)
- Lyons, Brenda, "Interview with Ntozake Shange", The Massachusetts Review, 28, pp.687~696 (1987)
- Metzger, Linda, "Ntozake Shange, in : Black Writers: A Selection of Sketches from Contemporary Authors", pp.518~522 (1989), Gale Research
- when the rainbow is enuf, "for colored girls who have considered suicide", pp.1977, Shange, Ntozake
- Shange, Ntozake, "three pieces: spell #7; a photograph: lovers in motion; boogie woogie landscapes" (1981), St. Martin’s
- Shange, Ntozake, "See No Evil: Prefaces, Essays & Account, 1976-1983" (1983), Momo’s
- Shange, Ntozake, "Ntozake Shange Interviews Herself", pp.1690~1692 (1992), Gale Research
- Timpane, John, "The Poetry of a Moment’: Politics and the Open Form in the Drama of Ntozake Shange", pp.487~490 (1993), Gale Research