억압된 기억의 서사: 카즈오 이시구로(Kazuo Ishiguro)의 『희미한 언덕 풍경』(A Pale View of Hills) 연구
Narrating the Oppressed Memory: A Reading of Kazuo Ishiguro’s A Pale View of Hills.
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Lim, Eunyoung. “Narrating the Oppressed Memory: A Reading of Kazuo Ishiguro’s A Pale View of Hills.” Studies in English Language & Literature 46.3 (2020): 277-296. This paper aims at analyzing Kazuo Ishiguro’s debut novel, A Pale View of Hills, from the perspective of narrating the traumatic memory. The focus of the analysis is laid on the narrator of the novel, Etsuko’s narrative on her experiences with and observation of her friend, Sachiko, in Nagasaki, Japan. What makes her narrative interesting is that it is delivered while she is passing through the traumatic event of her first daughter, Keiko’s suicide. It is presumed in this paper that Etsuko with the strong pain of Keiko’s death narrates her past with the intention to relieve her pain and sense of her guilt through the seemingly unrelated story of her friend. I also place much emphasis on her narrative strategy of manipulating memory for self-protection and self-deception in the process of her narrating traumatic events. (Chonbuk National University)
Abstract
Lim, Eunyoung. “Narrating the Oppressed Memory: A Reading of Kazuo Ishiguro’s A Pale View of Hills.” Studies in English Language & Literature 46.3 (2020): 277-296. This paper aims at analyzing Kazuo Ishiguro’s debut novel, A Pale View of Hills, from the perspective of narrating the traumatic memory. The focus of the analysis is laid on the narrator of the novel, Etsuko’s narrative on her experiences with and observation of her friend, Sachiko, in Nagasaki, Japan. What makes her narrative interesting is that it is delivered while she is passing through the traumatic event of her first daughter, Keiko’s suicide. It is presumed in this paper that Etsuko with the strong pain of Keiko’s death narrates her past with the intention to relieve her pain and sense of her guilt through the seemingly unrelated story of her friend. I also place much emphasis on her narrative strategy of manipulating memory for self-protection and self-deception in the process of her narrating traumatic events. (Chonbuk National University)
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