댄지 세나(Danzy Senna)의 『코캐이시어』(Caucasia): 패싱과 인종의 재개념화
Danzy Senna’s Caucasia: Reconceptualization of “Passing” and Race
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper examines how the concept of race and “passing” is formulated and conceptualized in Danzy Senna's Caucasia. It explores the complex phenomenon of race appearing when a passer crosses the color-line. Involuntarily put in situations of “passing” and living in Caucasia, Berdie Lee, the mixed-blood narrator, comes to realize the construction of the concept of race and how it is produced and disseminated in the American society. What Senna underscores for us in this novel is the need to forgo the rigid concept of race that has distorted the American race politics and to embrace a multiracial and multicultural America by establishing a reconceptualization of “passing” and race. This includes the deconstructing of the monolithic racial politics of the White/Black opposition by moving beyond the color-line to acknowledge and accept the diverse identities of racial and ethnic minorities.
Abstract
This paper examines how the concept of race and “passing” is formulated and conceptualized in Danzy Senna's Caucasia. It explores the complex phenomenon of race appearing when a passer crosses the color-line. Involuntarily put in situations of “passing” and living in Caucasia, Berdie Lee, the mixed-blood narrator, comes to realize the construction of the concept of race and how it is produced and disseminated in the American society. What Senna underscores for us in this novel is the need to forgo the rigid concept of race that has distorted the American race politics and to embrace a multiracial and multicultural America by establishing a reconceptualization of “passing” and race. This includes the deconstructing of the monolithic racial politics of the White/Black opposition by moving beyond the color-line to acknowledge and accept the diverse identities of racial and ethnic minorities.
참고문헌 (17)
- Bhabha, Homi K., "The Location of Culture" (1994), Routledge
- Boudreau, Brenda, "Letting the Body Speak: ‘Becoming’ White in Caucasia", Modern Language Studies, 32(1), pp.59~70 (2002)
- Butler, Judith, "Excitable Speech: A Politics of the Performative" (1997), Routledge
- Davis, F. James, "Who is Black: One Nation’s Definition" (2001), The Pennsylvania State UP
- Du Bois, W. E. B., "The Souls of Black Folk" (1989), Bantam Books
- Fanon, Frantz, "Black Skin, White Masks" (1967), Grove Press
- Gilroy, Paul, "Against Race: Imagining Political Culture Beyond the Color Line" (2001), Harvard UP
- Grassian, Daniel, "Passing into Post-ethnicity: A Study of Danzy Senna's Caucasia", Midwest Quarterly, 47(4), pp.317~335 (2006)
- Harrison-Kahan, Lori, "Passing for White, Passing for Jewish: Mixed Race Identity in Danzy Senna and Rebecca Walker", MELUS, 30(1), pp.19~48 (2005)
- Hollinger, David, "Postethnic America" (1995), Basic Books
- Hunter, Michele, "Revisiting the Third Space: Reading Danzy Senna's Caucasia in : Literature and Racial Ambiguity", pp.297~316 (2002), Rodopi
- Ibrahim, Habiba, "Canary in a Coal Mine: Performing Biracial Difference in Caucasia", Literature Interpretation Theory, 18(2), pp.155~172 (2007)
- Kawash, Samira, "Dislocating the Color Line: Identity, Hybridity, and Singularity in African-American Literature" (1997), Stanford UP
- Outsider. Freedom, "Sister", pp.1984, Lorde, Audre
- Pabst, Naomi, "Blackness", Mixedness: Contestations over Crossing Signs, 2003, pp.54, 178~212
- Senna, Danzy, "Caucasia" (1998), Riverhead Books
- Wald, Gayle, "Crossing the Line: Racial Passing in Twentieth-century U.S. Literature and Culture" (2000), Duke UP
