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‘혼종 문화인’ 카운테이 컬른

Countee Cullen as a Cultural Hybrid

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A short but enormously important biography written by Shirley Washington, his niece, a daughter of his youngest sister, titled Countee Cullen’s Secret Revealed by Miracle Book: A Biography of His Childhood in New Orleans, has at last come to shed some lights on his childhood which has never been disclosed by Cullen himself or anyone else. Now we can safely say that Countee Cullen was a combination of two personalities, James S. Carter, Jr. and Countee Cullen, And, actually, he was born in 1906, in New Orleans, Louisiana, not in 1903, in New York. In other words, he was not a native of Harlem but an immigrant like other Harlem Renaissance writers. Such disclosure of two conflicting personalities and new facts about his childhood gives us a rare chance to re-evaluate him and his literary works. We can now put in perspective why Countee Cullen was going to be a poet, not a negro poet. Also, we can understand why Cullen was trying so hard to reconcile African American experience and European literary tradition. Thanks to Washington’s biography, we are now able to situate him as a cultural hybrid who lived in the margin of two conflicting cultures.

Abstract

A short but enormously important biography written by Shirley Washington, his niece, a daughter of his youngest sister, titled Countee Cullen’s Secret Revealed by Miracle Book: A Biography of His Childhood in New Orleans, has at last come to shed some lights on his childhood which has never been disclosed by Cullen himself or anyone else. Now we can safely say that Countee Cullen was a combination of two personalities, James S. Carter, Jr. and Countee Cullen, And, actually, he was born in 1906, in New Orleans, Louisiana, not in 1903, in New York. In other words, he was not a native of Harlem but an immigrant like other Harlem Renaissance writers. Such disclosure of two conflicting personalities and new facts about his childhood gives us a rare chance to re-evaluate him and his literary works. We can now put in perspective why Countee Cullen was going to be a poet, not a negro poet. Also, we can understand why Cullen was trying so hard to reconcile African American experience and European literary tradition. Thanks to Washington’s biography, we are now able to situate him as a cultural hybrid who lived in the margin of two conflicting cultures.

참고문헌 (29)

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  4. Cook, William W., "The New Negro Renaissance in : A Companion to Twentieth- century Poetry" (2001), Blackwell Publishing
  5. Cullen, Countee, "Caroling Dusk: An Anthology of Verse by Negro Poets" (1927), Harper & Brothers
  6. Cullen, Countee, "Color" (1925), Harper & Brothers
  7. Cullen, Countee, "On These I Stand: An Anthology of the Best Poems of Countee Cullen" (1947), Harper & Brothers
  8. Deplessis, Rachel Blau, "Races, and Religious Cultures in Modern American Poetry, 1908-1934" (2001), Cambridge UP
  9. Du Bois, W. E. B., "The Souls of the Black Folk" (1989), Bantam
  10. "1942", 5(3)
  11. Early, Gerald, "My Soul’s High Song: The Collected Writings of Countee Cullen, Voice of the Harlem Renaissance" (1991), Anchor
  12. Early, Gerald, "Countee Cullen in : The Oxford Companion to African American Literature", pp.194~196 (1997), Oxford UP
  13. Fetrow, Fred M., "Cullen’s Yet Do I Marvel", The Explicator, 56(2), pp.103~105 (1998)
  14. Hughes, Langston, "The Negro Artist and the Racial Mountain", Nation, 122(3181), pp.692~694 (1926)
  15. Hughes, Langston, "The Big Sea: An Autobiography" (1940), Hill and Wang
  16. Hutchinson, George, "The Harlem Renaissance in Black and White" (1995), Harvard UP
  17. Johnson, Barbara E., "Response in : Afro-American Literary Study in the 1990s", pp.39~44 (1989), Chicago UP
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  19. "Countee Cullen’s ‘Heritage’: A Black Waste Land, South Atlantic Bulletin. 36.4" (1971)[URL]
  20. Langbaum, Robert, "The Poetry of Experience: The Dramatic Poetry in Modern Literary Tradition" (1957), W. W. Norton & Company, Inc.
  21. Locke, Alain, "The New Negro: Voices of the Harlem Renaissance" (1992), Atheneum
  22. Lomax, Michael L., "Countee Cullen: A Key To The Puzzle in : The Harlem Renaissance Re-examined", pp.213~222 (1987), AMS
  23. Perry, Margaret, "A Bio-Bibliography of Countee P. Cullen 1903-1946" (1971), Greenwood
  24. Rampersad, Arnold, "The Life of Langston Hughes" (1988), Oxford UP
  25. Shucard, Alan R., "Countee Cullen" (1984), Twayne
  26. Stewart, III, "Black Spirituality & Black Consciousness: Soul Force, Culture and Freedom in the African-American Experience" (1999), Africa World Press
  27. Turner, Darwin T., "In a Minor Chord: Three Afro-American Writers and Their Search for Identity" (1971), Southern Illinois UP
  28. Wintz, Cary D., "Black Culture and the Harlem Renaissance" (1996), Texas A & M UP
  29. Washington, Shirley P., "Countee Cullen’s Secret Revealed by Miracle Book: A Biography of His Childhood in New Orleans" (2008), AuthorHouse

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