카릴 처칠의 『비네거 탐』에 나타난 서사 방해 기법 연구
A Study of the Feminist Narrative in Caryl Churchill’s Vinegar Tom.
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study aims to analyze Churchill’s play Vinegar Tom from the perspective of feminist narrative theory. Churchill’s drama breaks away from the tradition of female representation through techniques that break and disrupt the flow of narrative. Vinegar Tom consists of 21 short episodes and 7 songs. The episodes relive the witch hunts of the past, but the songs have a modern voice. As modern times have invaded the past, they criticize the history of oppression and persecution of women and denounce the reality that it continues to influence modern times. Churchill’s narrative interruptive technique prevents the audience from empathizing and also disrupts the audience’s narrativity. Churchill’s technique of disrupting the narrative is arguably the most effective strategy for creating a space for criticism and allowing the audience to explore possibilities for change.
Abstract
This study aims to analyze Churchill’s play Vinegar Tom from the perspective of feminist narrative theory. Churchill’s drama breaks away from the tradition of female representation through techniques that break and disrupt the flow of narrative. Vinegar Tom consists of 21 short episodes and 7 songs. The episodes relive the witch hunts of the past, but the songs have a modern voice. As modern times have invaded the past, they criticize the history of oppression and persecution of women and denounce the reality that it continues to influence modern times. Churchill’s narrative interruptive technique prevents the audience from empathizing and also disrupts the audience’s narrativity. Churchill’s technique of disrupting the narrative is arguably the most effective strategy for creating a space for criticism and allowing the audience to explore possibilities for change.
참고문헌 (15)
- Aston, Elaine, "Feminist Views on the English Stage: Women Playwrights, 1990-2000" (2003), Cambridge UP
- Barthes, Roland, "An Introduction to the Structural Analysis of Narrative", On Narrative and Narratives, 6(2), pp.237~272 (1975)
- Brecht, Bertolt, "Brecht on Theatre" (1996), Methuen
- Churchill, Caryl, "Caryl Churchill Plays: 1" (1985), Bloomsbury
- de Lauretis, Teresa, "Alice Doesn’t" (1984), Bloomington
- Diamond, Elin, "Refusing the Romanticism of Identity: Narrative Interventions in Churchill, Benmussa, duras", Theatre Journal, 37(3), pp.273~286 (1985)
- Dolan, Jill, "The Feminist Spectator as Critic" (2012), UP of Michigan
- Elam, Keir, "The Semiotics of Theatre and Drama" (1980), Methuen
- Herrmann, Anne, "Travesty and Transgression: Transvestism in Shakespeare, Brecht, and Churchill", Theatre Journal, 41(2), pp.133~154 (1989)
- 이지훈, "카릴 처칠 희곡집" (1998), 평민사
- Kritzer, Amelia Howe, "The Plays of Caryl Churchill" (1991), Palgrave
- Luckhurst, Mary, "Caryl Churchill" (2015), Routledge
- Reinelt, Janelle, "Beyond Brecht: Britain’s New Feminist Drama", Theatre Journal, 38(2), pp.154~163 (1986)
- 성은주, "카릴 처칠의 극에 나타난 페미니스트 서사 연구", pp.2022
- Thomsen, Christian W., "Contemporary English Drama" (1981), Edward Arnold