『삼일간의 비』의 장소성에 대한 연구
A Study of Placeness in Three Days of Rain.
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This paper explores the notion of “placeness” in Richard Greenberg’s play, Three Days of Rain, drawing on the spatial concepts of Yi-Fu Tuan, Edward Relph, and Gaston Bachelard. “Place” is defined as a space imbued with human significance, encompassing emotions, experiences, actions, values, knowledge, and creation. “Topophilia” refers to the human attraction toward specific places. The play primarily unfolds in a downtown Manhattan apartment, where the character Walker explores the belongings of his deceased father, Ned, seeking a connection. Preserved there, Ned’s diary holds sentimental value for Walker, who aspires to inherit the house Ned designed: Janeway House. However, I argue that when Janeway House passes to Pip, the son of Ned’s business partner, it becomes a place of “placelessness” for Walker rather than a space of topophilia. (Sungkyul University)
Abstract
This paper explores the notion of “placeness” in Richard Greenberg’s play, Three Days of Rain, drawing on the spatial concepts of Yi-Fu Tuan, Edward Relph, and Gaston Bachelard. “Place” is defined as a space imbued with human significance, encompassing emotions, experiences, actions, values, knowledge, and creation. “Topophilia” refers to the human attraction toward specific places. The play primarily unfolds in a downtown Manhattan apartment, where the character Walker explores the belongings of his deceased father, Ned, seeking a connection. Preserved there, Ned’s diary holds sentimental value for Walker, who aspires to inherit the house Ned designed: Janeway House. However, I argue that when Janeway House passes to Pip, the son of Ned’s business partner, it becomes a place of “placelessness” for Walker rather than a space of topophilia. (Sungkyul University)
참고문헌 (18)
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